Forest

Everyone possesses a dark forest. It is, whether geographically or metaphysically, where you are terrified to wander at night, alone. It is the weathervane and divining rod of primal fear. There is an ancient nameless fear that makes your existence tremble. The trembling is inescapable. As is the frigid hollow in the pit of your being. It’s not what you’ll find or what will find you in the dark forest, it’s what you imagine: the endlessness to the woods, the cannibal hag in the cottage, the headless apparitions, ill-tempered demons, the bottomless bog. Too many prospects and none of them light. Not in a dark forest. Not when your mind is populated by an All Hallow’s gallery of what-ifs, and you find that the child that you were, and have always been, fevers desperately to invent a bed under which to hide in plain sight.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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