Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

In the Dark

I was vacant when he entered me, a ghost in a long corridor. In the distance, I heard low hissing. As if the world were losing air through a slow leak. I silently sang myself a lullaby from my childhood, … Continue reading

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Review of The Last Furies

Thank you, Louis Greenstein, for the thoughtful advance review of my forthcoming novel, The Last Furies (Lost Telegram Press). Full review below: John Biscello’s astonishing work, The Last Furies, is a vaudeville routine wrapped around a radio drama, tucked into … Continue reading

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Reviewers Wanted

My new novel, The Last Furies, is slated for mid-September release (in print, digital and audio-book editions), and e-book ARCs (advance review copies) are available upon request to anyone interested in reviewing the book. SYNOPSISIn this lyrical and speculative mosaic … Continue reading

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Final Cover

Final cover for The Last Furies has been decided (thanks to all who voted), along with updates about the process of the novel and evolving audio-book version.

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Nocturne Variations (Screenplay)

I am happy to share that my full-length screenplay, Nocturne Variations (based on my novel of the same name), has been published in the new issue of Open: A Journal of Arts & Letters, as part of their screenwiting series. … Continue reading

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Postcard from the Edge

On a chrome operating table, an umbrella and a sewing machine make love. Are about to make love. Have already made love. One or the other or the other. It is industrial burlesque in a vintage Parisian postcard bearing a … Continue reading

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Red Wind

The stilettos of red wind go on pecking at me, at us. We haven’t seen our mother in seven months. She was taken away. I could present evidence of my mother— kitchens tattooed onto her elbows and wrists, walking the … Continue reading

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Cover Art

You can vote now on one of seven possible covers (featuring the work of Heather Ross) for my forthcoming novel, The Last Furies.

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Ballad of the Cuckoos (publication)

Publication of my screenplay, Ballad of the Cuckoos, in Issue 8 of For Page and Screen magazine, now live.

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Masks

“Why so much fear of tears? Because the masks we use are made of salt. A stinging red salt which makes us beautiful and majestic but devours our skin.” – Luisa Valenzuela My new novel, The Last Furies, coming soon … Continue reading

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