Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

Perspective

There are lace panties, and there are cliffs. When considering a jump, note the hazards, and the marked distinction between diving in or off.

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I Do Not Say

I do not say I love you, but I notice how your fingers twine and wrap around empty, tracing broken circles in the air when you are nervous. I do not say I love you, but there is a spot … Continue reading →

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Beat, Bop & Abstraction

It took place in an amnesiac haze and fury, numberless nights of lightningspeak and opiate rabble, rocketfuel and anti-freeze, bright slashing ribbons of noise amounting to worry stones indenting the infantpink tender of palms, forecasting God as a vaudeville dunce … Continue reading →

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Brooklyn in Taos

  In anticipation of Unsolicited Press’s summer re-release of my first novel, Broken Land, A Brooklyn Tale, a reading from the archives.

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Intraverse

(Intraverse, Epitaph for a Beginning is a 24-part poem, which will be included in my collection Arclight. I wanted to present it here, uncut, for those who enjoy swallowing their jagged metaphysical fragments whole.) 1. Bidden by tatters, and gravity’s mutable … Continue reading →

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Cinemate

Tinder, how tongues snake flames to debut summer’s flick– Burn Slow While Kissing.

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Flagrant

Prayer’s body to rent, exact in flagrant cherish– flesh struck to match, ssssssss.

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Currency

Language, a living currency and greening force, gospel and amorphic in its leanings toward the freest and most daring aspects of your imagination, well beyond margins, syntax, and staid forms.

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Fierce and Daisy

Among greengolden pastures, the fierce grew. Its plastic vampire teeth tore into the jugulars of bluebells, its molten leavetaking gave the earth scars and heartburn, and left the fresh grass in tears. The roots, understanding the nature of siege, its … Continue reading →

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Marvel

As a child, the thinnest greenest wisps of air held tiny totemic figures of me, carved from sheer terror, aloft, and I pretended, o how I pretended to be the biggest strongest bravest boldest of them all, a clown-saint crossing … Continue reading →

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