Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

Some Kind of Summer

   J.B., I have to kill someone by the end of summer.    Joe Ninj stated this casually, as if it were a school assignment or project with a deadline.    Five minutes earlier we had been integrated into our … Continue reading →

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Glow

The coke parties were my favorite. It was when everyone was happiest. Everyone meant my father, my mother, and their friends, Teddy and Debby. Occasionally, Debby’s brother, Wayne,  was part of everyone. My mother would say—Teddy and Debby are coming … Continue reading →

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Bedsores

In the permanent flophouse Love reigns supreme— A tried and torn migrant ready to drop from chronic fatigue.

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Dirty Dancing in the Dark

   Brooklyn, the Walker Theater, 1987.    I am twelve and precariously balancing on the shoulders of Fat Brian.    Come on, you’re not getting any lighter, Fat Brian shouts.    I reach up and lock my fingers around the … Continue reading →

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Meaning of the Mob

The Meaning of the Mob.  I say, the Mob, meaning the Definitely Uncertain, Fixed—a liberal form of physics— or the clotted swarm wallforming brick by brick, a mosaic pattern.      Pick a number, any number, it’s a given. A given what, … Continue reading →

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Haunt

Fear, how specters arrive on stilts, in the shadow of their presence, you, diminished, crawl toward s solitary haunt.

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Harbor

I, on the verge of speaking, when the old woman laid her finger on my lips, and said— Give, and expect nothing in return, and even less than nothing. It is your only chance of getting off this island. Then, … Continue reading →

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Torch Song

The aureate secrets of silence, stuff stars are made from, and us, cocooned in gauzy slumbers, wink and blink and nod till well-scored we become cinders in a torch song, long-since faded.

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Frame-Up

(Written in response to Josef Sudek’s “Winter at the Window of my Atelier”)  Winter frame-up of god’s run-on fingerprints, evidence of weary sorrow, mounting, unfinished.

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Sunday’s Children

(Written in response to Joe Sorren’s “While the Trucks on the Highway all Howl”) While the trucks on the highway all howl, beneath a milk-bottle sky, Sunday’s children, curious and bulb-headed, lay vigorous claim to Paradise. Non-profit architects, they sit … Continue reading →

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