Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

Hide and Seek

      Ready or not, here I come.    I can still hear my voice calling out, a bright echo in a jagged loop.    Hide and seek was a game we used to play all the time.    At … Continue reading →

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Fugue

(Written in response to Josef Sudek’s “Sunday Afternoon on Kolin Island”) The camera’s lucid eye swaddles them in gauze, reverse cocoon effect and causal brakes of a fugue, fast-tracking lives to ashen blanks.

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Fiction in Taos

From the Taos Rag, July 2016    

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Wheelbarrow

(Written in response to Josef Sudek’s “Contrasts, St. Vitus Cathedral”). Considering the slopes of noble toil and grave matter, so much depends upon a soiled wheelbarrow.

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Review of Raking the Dust

A review of Raking the Dust for which I was most appreciative. “Gritty and serene, twisted and sweet, bizarre and weirdly relatable… this novel is magical surrealism and simple authenticity woven together in an improbably captivating tale. I was reminded of … Continue reading →

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Mass

(Written in response to Josef Sudek’s “At Church.) jesus christ we applaud your shaded storehouse of yesterday’s cured pulp and no account sins, a meat pack industry at love’s labor’s cost; we, the proud brood of salt and bread, walk … Continue reading →

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Of Men: Strength and Vulnerability

  This photo from Zoe Zimmerman’s elegantly empowered collection “Of Men: Strength and Vulnerability” was selected to appear in the outdoor photography exhibition The Fence 2016. Opening July 9th, where it will run for three months, in the Railyard Park in … Continue reading →

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Leaf

(Written in response to Josef Sudek’s “From the Window of my Atelier” series)  A single leaf, solitary, unattached, at home in space, feral pucker seizing upon glass, a lonely kiss moist to the crunch.

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Totem

   Here, her mother said, pressing something into her palm.    A pinch.    A pinch, breaking skin, spreading blush and heat.    She looked down—her palm now tattooed with a tangle of dark glyphs; a concert of spirals, curlicues … Continue reading →

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Yellow is the Color of my Sad

Yellow is the color of my sad, how it runs. Some think it is blue but it is not. Blue is the common choice for color/me/sad, the popular one (how moods get typecast), but yellow is much sadder than blue, … Continue reading →

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