Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

After Party

She, Lazarus, back from the dead, with a musical vengeance— A beat, Christ, please, she asks of her martyred D.J., half-light, half-man, and out climbs her voice, grinding through rubble, a dark velvet toy wound up for centuries, released, on … Continue reading →

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Fete

At the window, creamed in pale light and amber, a gauzy feting of an interior life, as if solitude, doubly engaged, rears company from silence.

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Anne Sexton (1928-1974)

Anne Sexton: tall and lovely and dead, and I, turning the knob, want to get in and fuck her, but cannot, because she is dead. So really, I wanted to, past tense.                                                             The point being: how I wanted to … Continue reading →

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Flaubert in Brooklyn

Madame Bovary bawling on a street corner– I’d throw her a bang.

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Ophelia’s Blues

  Her sad, sea-green dress, an epitaph, rippling quietly, as if in a dream. The small history of a fresh wraith, white fingers forever separating the bones from the silt.

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Feral

At risk of possession by fire, how, in the ripe grip of new language, we grow feral along a trackless rim, greening desire.

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Pinch

To hell, lovingly, with gravity as it claims one’s pulse and vitals; a precipitous plunge into faith at the far end of a diminishing tunnel pinched by light.

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Immigration Laws

We are immigrants in our own skin, flash-fire refugees who get by with falsified papers, fake IDs, and forged signatures. If caught and found guilty of a trespass or transgression, we pardon ourselves in our native tongues, language a placeholder … Continue reading →

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Aperture

Fade, how the light, contracting Amnesia, tenderly submits by subtly engaging a trick lens.

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Annul

Forgiveness, gravity’s claim on cells duly annulled.

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