Category Archives: photography

Ephemera

“A photograph is a secret about a secret”— Diane Arbus Two snaps from a series of Polaroid experiments related to my novel, The Last Furies, forthcoming from Lost Telegram Press.

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Lost Telegram

I am happy to announce that I have signed on with Lost Telegram Press, a Canadian publisher, for the publication of my novel, The Last Furies. It is encouraging to have found a supportive home for what is an experimental, multi-form … Continue reading

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Tokyo Lift-Off Film Fest

The Tokyo Lift-Off Film Festival is now live on Vimeo, and will run through June 1st. If you are interested in checking out our film The Bride (along with the other indie shorts that are being screened), here is the … Continue reading

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Tokyo Lift-Off

I am excited to announce that our speculative and experimental film The Bride is an official selection of the Tokyo Lift-Off Film Festival 2025. For those interested in tuning in, the festival will screen live on Vimeo (May 4th-June 1st), … Continue reading

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Neverland Noir Debuts

Thank you to the Taos News,  Ekin Balcıoğlu, and Lynne Robinson, for providing this wonderful article and coverage on our upcoming original production, Neverland Noir: https://www.taosnews.com/tempo/arts/neverland-noir-a-classic-tale-dipped-in-shadow/article_79203892-e35c-5522-a249-a085f7d81670.html

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Twice Five Miles podcast interview

It was an absolute pleasure being a guest on the Twice Five Miles podcast with James Nave, getting to discuss youth theater, the writing life, creative process, and many other things under the sun and moon.

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Samuel Beckett

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Beckett’s Sonata

A hatless pilgrim, roving this way and that, a man embodying scat (in every sense of the word), wandering through starched cardstock fields in search of a stingy flower, proud, pistil-engraved, the flower’s gullet scorched by streaks of sungold (this, … Continue reading

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Sphinx

Convicted sphinx to beguiling raptures, and time-spanned sync-holes, literary enigma, Clarice Lispector, understood keenly the tolling of ruptures within, sowing breath’s metered and fasting threads to the fractional seethe of holy and lent.

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Because the Night

In lyrical, abetted praise of Patti Smith, white witch torchbearer of punk mettle and lightning bones— She, wildly grown and gutter-starred, remains in love and swelling thrall to the Romantic timbre and clash of Rimbaud’s unrelenting wake, or Plath’s penning … Continue reading

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