Category Archives: Uncategorized

Mercy Mercy Me

Posted on March 31, 2019 by John Biscello

Some time-tested facts: 1. Every shadow courts its own double, its own set of fractures.   2. Make-up, and its composite symmetry of masks turn, at day’s end, to sidereal flakes of ash.   3. Your true face was printed … Continue reading →

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This is Only a Jest

Posted on March 31, 2019 by John Biscello

Beatitude, resigned to solemn inbreeding, refers to the plastic gospel of the fool at play, its solitude parallel to fresh grafitti tagged on white walls for an audience cataleptically torn between vagrancy and faith.

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Cadenza

Posted on March 31, 2019 by John Biscello

Some death is musical, a candied apparition scalding the bones of Venus in soft chambers of silk and notes of smoldering silence.

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Review of Arclight, John Biscello

Posted on March 24, 2019 by John Biscello

Review of Arclight on “My Screaming Twenties.”

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Funky Monk Live

Posted on March 14, 2019 by John Biscello

Video clips from the Arclight book launch at Studio 107-B in Taos, NM (3/12/19). Performing “Funky Monk” w/ Ben Wright on the bass.

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Bird

Posted on March 12, 2019 by John Biscello

Haiku in honor of Charlie Parker’s death-day (March 12th) Yardbird’s singed solo, wings crisped to perfect measure– fly now, pray later.

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Kerouac

Posted on March 12, 2019 by John Biscello

Happy birthday (March 12th), Jack Kerouac! My poem from Arclight honoring the man behind the mythical scrolls. When I was a young man, a budding scribe eager to blossom white fire, and scabbed lotuses, you meant the world to me. … Continue reading →

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The Smoking Bluebird

Posted on March 10, 2019 by John Biscello

In honor of Charles Bukowski on his death-date, March 10th. Bluebird in his heart, caught in the cross-hairs of vice– Fuck pretty, sing life.

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After Party – John Biscello

Posted on March 10, 2019 by John Biscello

“After Party,” a poem from my collection Arclight, appearing on Free Verse Revolution. March’s theme: “Redemption.”

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The Emissary

Posted on March 8, 2019 by John Biscello

My review of Yoko Tawada’s dystopic delight, The Emissary, a.k.a., The Last Children of Tokyo. I have seen the future and it’s murder — Leonard Cohen, “The Future” Stop me if you’ve heard this one before. Death walks into a bar, wielding … Continue reading →

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