Storm Front

“I think we are climates above which pause threats of storms that take place elsewhere.”—Fernando Pessoa, The Book of Disquiet

What then, this weather

of strange balloons

and vanities engorged

like blowfish bladders

purpling to the point of bursting?

Who, among us,

will gather the sentient crackles

of a given storm

and secret them

away in a wicker basket

where, at a much later date,

when the sun has passed through the clouds,

the basket can be set on the grass for a picnic

in an imaginary park with invisible friends–

yes, imagine, you are a kid once again,

with all realities open to your gambits–

who, then, do you become,

when living according to whim and fancy,

and the kite-tailed night-birds of the heart,

you embrace the manic music

of the seasons,

and come to regard climate,

personal or otherwise,

as a cauldron, seething and bubbling,

seeking its rightful sorceress.

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Chekhov and the Cat

“The longer a poem, the weaker the impression that it has been dictated from above: Heaven is not verbose.  The more you talk, the more you lie.”–Vera Pavlova

When I am overly verbose,

I am trying to convince myself,

or my angels that I am worth

their undying devotion.

That, or I’m trying to validate

my reason for being

to unrealized eyes

living in the back of my head.

When I am silent,

I am like the cat

who fluently models

Chekhov’s explanation of grace

as some definite action accomplished

in the least number of movements.

I’m pretty sure if Chekhov and the cat

were in the kitchen together

and Chekhov were explaining his definition,

in so many words,

the cat, remaining still,

would yawn and close its eyes.

Some poems, teasing verbosity,

don’t go anywhere,

yet simply lapse

into the waiting cradle

of silence.

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Wistful

“It was back into the mind of the young man with cardboard soles who had walked the streets of New York.  I was him again—for an instant I had the good fortune to share his dreams, I who had no more dreams of my own.  And there are still times when I creep up on him, surprise him on an autumn morning in New York or a spring night in Carolina when it was so quiet that you hear a dog barking in the next county.  But never again as during that all too short period when he and I were one person, when the fulfilled future and the wistful past were mingled in a single gorgeous moment—when life was literally a dream.”—Scott Fitzgerald, “Early Success” (1937)

Within

the tenderest latent merger

of youth

to bloom,

the golden hours

of dreaming

lose favor to time–

this, a narrowing passage

and gist,

dimming,

yet

in its call to longing,

wholly sublime.

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Cracked Plate

“Sometimes, though, the cracked plate has to be retained in the pantry, has to be kept in service as a household necessity.  It can never again be warmed on the stove nor shuffled with the other plates in the dishpan; it will not be brought out for company, but it will do to hold crackers late at night or to go into the ice-box under the left-overs.”—Fitzgerald, “The Crack-Up” (1936)

By necessity,

the cracked plate serving a role–

last night’s leftovers.

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All That Jazz

“Now once more the belt is tight and we summon the proper expression of horror as we look back at our wasted youth.  Sometimes, though, there is a ghostly rumble among the drums, an asthmatic whisper in the trombones that swings me back into the early twenties when we drank wood alcohol and every day in every way grew better and better, and there was a first abortive shortening of the skirts, and girls all looked alike in sweater dresses, and people you didn’t want to know said ‘yes, we have no bananas,’ and it seemed only a question of a few years before the older people would step aside and let the world be run by those who saw things as they were—and it all seems rosy and romantic to us who were young then, because we will never feel quite so intensely about our surroundings any more.” —Scott Fitzgerald, “Echoes of the Jazz Age”  (1931)

You could say

that we, the glistening sap,

resin and seedlings

branched out

from Jazz Age lore

got bamboozled

by slide trombones,

silk flowers

and gin-soaked kimonos,

but really

we blame it on the hours

spent with the moon,

who, in her intoxicating

kamikaze mixing with romantic youth

stripped us of our hinges

while tipping us over gilded edges,

and later, much later,

looking back at our undisclosed remains,

we smiled, grew misty-eyed, felt shame,

and held secret funerals

for our faded lives,

while also holding our mortal deficits

close to our hearts,

where, the wistful mercy of afterglow

flickered off

and on

off

and on.

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Reap

By the light of the autumn moon,

she became, as always, a legend

true to her own scythe and reaping.

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Tale-Spin

There’s something funny,

and a little lonely,

about being the idiot

protagonist

in the tales

you endlessly

narrate to yourself,

as if you were

somehow plagiarizing the stars

to round out your silence

with immaterial gains

amounting to destiny,

if only in name

and furious fount.

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This Side of Arson

It is an emptying-out,

a daily maintenance

of purge

which, in its favored form,

testifies

to the lore of secrets

held within revelations,

or,

delineates just cause

for an arsonist’s burning.

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The Bones and the Blue

“I do an awful lot of thinking and dreaming about things in the past and future—the timelessness of the rocks and the hills—all the people who have existed there.  I prefer winter and fall when you feel the bone structure in the landscape—the loneliness of it—the dead feeling of winter, something waits beneath it—the whole story doesn’t show.  I think everything like that—which is contemplative, silent, shows a person alone—people always feel is sad.  Is it because we’ve lost the art of being alone?”—Andrew Wyeth

The slow bones

of the earth creaked

as Old Man Winter,

seeded

with most barren blues,

arrived, lumbering,

to tell stories

rooted in forever

and then some,

to the people

who enjoyed

the company of tales

to warm

their dreaming solitude.

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Lovers

Between true lovers,

a throbbing flight of totems,

carved from moon and ash.

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