Seeds

The other day

I met a monk who juggled watermelon seeds

with his tongue.

When I asked him how he did it,

he spit the seeds at me,

a staccato stream of seeds

as if the monk were no monk at all

but rather a cartoon gangster, or vaudeville gunner.

I ducked.

All of the seeds flew over my head

except for one, the lone seed that clung

to the top of my shoulder.

The monk’s eyes wrinkled with silent laughter,

which soon emitted from his nostrils and mouth

as a soft hissing sound.

How do you do that, he pointed at the seed

perched on my shoulder.

I smiled and shrugged and the seed fell off.

On the way home I stopped at the grocery store and bought a watermelon.

When I got home I cut it open and made a project out of seed-removal.

Then I tried juggling seeds with my tongue,

but couldn’t do it.

Several hours later, having not made any progress with my juggling act,

I sat down and stared at the lovely sloppy wreckage of watermelon and rind,

and at, or rather into the dreamlife of seeds gathered in a small glass bowl.

I picked up one of the seeds and planted it on my shoulder.

It’s easy, I said, as if the monk were there watching and listening,

and his silence roared like the most marvelous applause.

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This Way In

Between passages,

a dark pause to recollect

the lighted means home.

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Martian Lore

The Martians,

in their conscious longevity,

stamped our passports

and immigration documents

long before our legacy of amnesia

broke

and we came to realize

that everything, including our sense of planetary privilege,

has been a sham, a lost man’s desperate invention,

and while some wept and wondered, and wandered with nowhere to go,

others kept right on,

working their jaws religiously,

in chewing stick after stick of savior chewing gum,

which apparently becomes the stickiest stuff on earth

when engaging contact with foreign matters,

and other things true

to the calling of home. 

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Storytelling

Void is boring,

a dull throb.

It has no stories to tell.

And yet, from the gaping orient

of emptiness

arises every story imaginable,

a turning to peaks

and sea-changes galore.

It seems

void is the company

we are destined to keep,

an inheritance beyond the sealant of claim,

while stories become

our children and lovers,

the warmest ephemeral gains

to hold us, briefly, in tenderest thrall.

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Tenor

The difference between

I am here

and

I was here

is delicately slight,

and not really a matter of tense

but rather one of plaited tenor

and climate,

in which degrees,

separating our ghost from our dreams,

keeps us shivering warmly

between rippling sheets

of ephemera,

and the audacious

memory of longing.

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Darkroom

In the darkroom

of your own solitude

the slowly developing

photographs

of your life

can be recollected

forwards,

as if chronology

were a fugue,

and you

its vigilant timekeeper,

twice removed.

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Signed, Sealed, Delivered

You can,

if you wish,

file a million and one

embittered complaints

to the Universe,

but none will bring

the strange and mysterious

results that a single shred

of glimmering gratitude can,

its kiss the tenderest seal

upon symmetry’s origins.

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Love Is

I miss you already,

the sun-kissed daisy

whispered to the migrant

flake of snow,

which clung

like a hopeful bead

to the daisy’s

delicate petal

before dying a lover’s death

and melting.

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Red Balloon

A red balloon

says so much about the sky,

and the weightless wonder of children,

when desire, bated aloft by the sun,

gives free-spirited chase

to the play of light

on basking reams

of nimbus and lore.

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Song of Hope

They kill poets
in these parts
don’t they?
When I got here
I saw Walt Whitman’s
wizened head out back
impaled on a stake
flies buzzing round its
concomitant rot and stench
I heard one of the locals say
it was the worst kind of tourist trap
this voodoo orb
functioning like a magnet
drawing a swarm of zombies to brains
or moths to flames
take your pick
after all it’s America
And then I heard about the man
who wasn’t satisfied with Anne Sexton’s suicide
no he was still on her
constantly telling her ghost
to go to hell
and to consecrate his venom
he’d collect and burn all her poems
never realizing that Fahrenheit 451
was a myth
imagine trying to burn
pieces of the sun
with mortally wrung flames
I know they kill
poets in these parts
because the dismembered
remains of Allen Ginsberg
the man that Norman Mailer
once called the bravest four eyed kike
in the whole land
yes that man
scattered all over
screaming psych wards
and fallacious newprint
meant to stir the cauldron
of bloody bathwater
babies
and wives
and flybynight junkies
that went under
and never came back up
the final glubs
and so much more
resounding in the bardic echo
of Ginsberg’s howl
you know
that unkillable sound
with no fixed location
that lighted locust
of a drone
that you keep hearing
and hearing
beyond the wax
America are you listening?
I know for a fact
that they kill poets
in these parts
because that girl
who lived down the block from me
that girl who fashioned her silence
and trauma into a two-ton goddess
of love and redemption
yea her
you know the one I’m talking about
the nameless parishioner
of heart
who lives
and dwells
and breeds
and dreams
where words are funneled
through the eye of a storm
now do you remember
that’s the girl
the one you tried to kill
shame desecrate decimate
the list of offenses
goes on and on
and we regret to inform you
that your assasination attempts
will continue to meet failure
because you see
poets
in those most vital parts
from which songs of fury
innocence and hope arise
cannot be killed off
so you misewell
lay down your arms
and find out what Beauty
immortal to the touch
might be offering in exchange
for love
and praise.

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