Devotional

Remember me
to the
ease of light,
its pause and passage,
we are not long
for this earth,
which swallows us,
and our lovetagged bones,
as a matter of natural course
and radical recomposition,
all the gifts,
and hopes unwound
like a carnival of kites
in a ghostfaced sky,
must be returned,
it is part of the deal,
the equalizer that rivets
the wonder wheel
to its own cyclical surge
and motion,
and I, bearing the privilege
of passenger,
for what amounts to a split second
between God’s inhale
and exhale,
cannot help but air
my epitaph,
with the utmost gratitude
and reverence,
for every dream that held me
bated and green,
for every sweetness and sorrow
that carved my interior
into a well-lighted cathedral,
where basking became my truest art
and devotion.

Photo by Josef Sudek
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Where To?

As the steps

narrowed toward

a terrible

totemic infinity

she realized that

foreboding

hailed

from a gothic lineage

backlit

by a fathomless source.

#65 from Untitled Film Poems

Image by Cindy Sherman

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Testament

Kettled

by mass

and slow-building

infinity,

solitude

begs nothing

of stone

and receives

a woman

through to which

to flesh out

its lone, fretted

hymn

and testament.

#64 from Untitled Film Poems

Image by Cindy Sherman

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First and Last Steps

It was an option,

one that promised an ending—

The steps seemed endless.

#63 from Untitled Film Poems

Image by Cindy Sherman

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Star

There was never
going to be
any show,
she knew that.
Yet she fed
on the light
to counteract
an unappeasable hunger,
to star
where the emptiness
reamed darkest.

#62 from Untitled Film Poems
Image by Cindy Sherman
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Oxygen

Out here,

things were different.

The rough patches felt,

if not smoother,

then at least manageable.

This was also a place

where she could check

her dreams at the door,

and not pay them

the kind of mind

that always left her gasping for air

where little to none was available.

#61 from Untitled Film Poems

Image by John Biscello

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Arson

All it would take
is a single match,
and everything inside her
that had dried into tinder.
Funny,
that it would be
the house and not her
engulfed in flames,
but the heat would blister
and violently press needles into her skin,
so she could feel the weight of collapse,
and know that, despite the lack
of physical evidence, a significant part
of who she was
would find burial, if not peace,
in siege and ash.

#60 from Untitled Film Poems
Image by Cindy Sherman
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Perspective

The hidden symmetry
in going
is that its patterns
don’t reveal themselves
until hindsight
fans out
and clarifies
the marvels of letting
and perspective.

#59 from Untitled Film Poems

Image by Cindy Sherman

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Not-It-Girl

Did you want a bitch,
or a super-heroine?
Or perhaps just a mop
and bucket for sticky linoleum,
for hangovers that crawl
into high-rise offices?
Whatever it is you want
or need,
forget me,
I’m not the “it”
tagged in your game–
I claim me as my own,
sister to the shapeless wind
which calls me away
and further away still,
toward the raw
and permeable unknown.

#58 from Untitled Film Poems
Image by Cindy Sherman

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Storytime

There had been rumors,

hints, warnings,

about the nature

of certain fairy tales

that fucked you

in the end—

The trees bent

to listen, or rather

to feel

the story of her grief

soaking into the earth

and slaking the thirst

of whetted roots.

#57 from Untitled Film Poems

Image by Cindy Sherman

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