The Double

There was a staggered repeatability
to her days
which she counted upon
for a semblance of security
and rightness,
so you can imagine
her surprise when she looked across
the street and saw a woman
identical to her, same head scarf,
same handbag, same heels,
walking backwards
with an assurance
assigned to normalcy.

#18 from Untitled Film Poems

Image by Cindy Sherman

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American Gothic

A tableaux of modern gothic,
modeling the claims of dying light–
To go gently, or to rage
within a facade of ice?

#17 from Untitled Film Poems
Image by Cindy Sherman
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Singe

In a sense,
you could call it
a stay of execution,
but that would be waxing operatic
just to make the whole thing
worth remembering.
Still, he had
groveled before your feet,
while clutching at your shadow’s hem,
begging for a temporary pardon
or reprieve,
those were his exact words,
as your silence, like sullen ash,
left him singed
in the face of metaphor.

#16 from Untitled Film Poems
Image by Cindy Sherman
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Crossbearing

She, the heroine,
in the still of her own life–
Christ, how far to go?

#15 from Untitled Film Poems
Image by Cindy Sherman

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Fable

The woman, fronting a fable, wondered–
Am I the cause, or the effect?
No answer forthcoming, she considered splitting,
before she turned her back on herself
and left.

#14 from Untitled Film Poems
Image By Cindy Sherman
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Booksmart

Perhaps he was right,

and God was a peeping Tom—

Fiction turned her on.

#13 from Untitled Film Poems

Image by Cindy Sherman

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Baggage Claim

Was it fate, a fire sale,
history?
The longest-running soap serial
was drawing to a close,
if only the damned latch
hadn’t been broken,
if only escape plans
could be executed
without the claim
of baggage.

#12 from Untitled Film Poems
Image by Cindy Sherman
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What Dreams May Come

Her dreams
possessed the symmetry
of a sorrow
undisclosed
to the dreamer
who borrowed her body
to model alleged reality.

#11 from Untitled Film Poems
Image by Cindy Sherman

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Checklist

If someone

would have told her

it would be like giving birth

to a checklist of domestic

servitude

and falsely fresh

produce

on a numbingly repeatable basis,

she might have seriously pursued

her childhood dream

of running away with the circus

and giving her body

ala contortion

to a wildly applauding

yet hands-off audience.

#10 from Untitled Film Poems

Image by Cindy Sherman

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Perspective

From where she sat,

the house seemed to be

swaddled in sheer gauze,

and flickering, like a light

that was about to go out.

She considered adjusting her view

to dispel what must be an illusion,

but there was something terribly satisfying

about the polarizing effects

of her, here,

and them, there,

and what would happen, if

#9 from Untitled Film Poems

Image by Cindy Sherman

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