If Only

She turned, obliquely,

to reframe her perspective—

Maybe one last chance?

#40 from Untitled Film Poems

Image by Cindy Sherman

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Daisy-Chain

Everything dissolved anyway,
was how she consoled herself.
She would do something,
she would plant yellow daisies
in the garden
first thing tomorrow morning,
yellow seemed appropriate, yes,
even though the idea
of morning
seemed far-off
and left her feeling
somewhat queasy.

#39 from Untitled Film Poems
Image by Cindy Sherman
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Plot Twist

As if in a dream,

or mottled gloam,

she found herself bailing

on the small needy child

with grotesquely long

tapered fingers–

she found herself leaving home

to an unmarked plot

and its numberless ghosts.

#38 from Untitled Film Poems

Image by Cindy Sherman

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What We Lie About When We Lie About Love

A getaway,
he had reasoned brightly,
it will be good for us,
give us a chance to reconnect.
Why did everything he said
always sound perfectly rehearsed,
a conviction born of rote directive?
Was it the way he spoke,
the way she listened,
a tense combination of both?
Yes,
she had heard herself softly mimicking,
it could be good for us,
and later, at the cabin,
she found herself wondering
if compliance was the same as lying,
or simply a natural extension
of the fiction
which their lives had agreed upon
as a matter of necessary course.

#37 from Untitled Film Poems
Image by Cindy Sherman

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Slip

Backlit to claim form,
the shadow slipped over her
and bared its longing.

#36 from Untitled Film Poems
Image by Cindy Sherman

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Cauldron

It had been a long hard winter.
Discontent
brewed and bubbled
like witches tits
in a seething cauldron.
She had decided
once and for all
to fuck spring
right between the eyes
with the last of her husband’s
whittled pride.

#35 from Untitled Film Poems
Image by Cindy Sherman

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Storybook Ending

It wasn’t her in the book,

but it could be.

Why couldn’t it be?

If she modeled herself

correctly,

assuming the strictest code

of due fiction,

she could rival

the heroine between the covers

and rest easy,

knowing others were escaping

into the story of her life.

#34 from Untitled Film Poems

Image by Cindy Sherman

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To Whom It May Concern

The letters ran together,
a blur, and vicious assembly,
which forced her to comprehend
an absence, with no prints to register.

#33 from Untitled Film Poems
Image by Cindy Sherman

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Torch Song

Some women

waited for men

to light their cigarettes

for them

but never her—

she, the one who netted

her own desire,

and blatantly committed

a most lovely heresy

by balancing

a small piece of the moon

on her fingertips

until her cigarette

torched

and underscored

the legend of the woman

scorned as a witch

by men

who didn’t know what to make

of unclaimed fire.

#32 from Untitled Film Poems

Image by Cindy Sherman

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Losing my Religion

It began, innocently,
with the allure
of velvet-dark
and musky incense,
then it became something else,
or she did, a girl
with a ribbed dream-life,
in which she and God
found each other,
spread severely thin
upon the wetted meshes
of bait
and longing.

#31 from Untitled Film Poems
Image by Cindy Sherman

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