Middle School

Sssssh! You can’t tell yourself,
but you have a crush on God.
Between classes, in the hallway,
you see her leaning obliquely against
the edge of a wall,
books shadowed in the crook of her arm.
Your eyes track her bare thin arms
down to her wrists, which are adorned in bracelets,
then to her fingers, studded with rings.
You wonder about God’s choice in jewelry,
while noticing that she’s not wearing any make-up.
God is giggling, talking to several other girls,
and since your legs are locked in place,
you know you won’t be walking over to God
anytime soon,
but you do wonder if you can work up the nerve
to make eye contact.
Your stomach takes a break from chewing your brain,
and you lift your eyes to take in a direct view of God,
who suddenly tucks several stray bits of hair behind her ear,
and this initiates a siege of trembling
which kickstarts a surge of bloodflow in your stone legs,
and you are suddenly aware that God is staring directly at
                                              you,
her smile a beam of radiant light slivering into a thousand tiny knives
plunging into and searing your vitals,
and you recall your friend Teresa’s impassioned encounter
with that chiseled Angel, and the sensations she experienced—
the burning beyond burning, the delicious excruciation—
that she so vividly laid out for you
in that tear-stained treatise
of a letter.
Your throat swallows itself
as God’s gaze
staggers you to a point of lucid blankness—
I mean, she’s staring explicitly at you,
her mouth a curved and starry beacon,
this is happening,
between you and God,
in the hallway,
between classes,
and when the bell rings
there is a mass, manic rush,
a whirlwind of bodies and voices,
followed by emptiness
and silence.
God,
along with everyone else,
was gone.
You run your mildly numbed fingers
over your eyes to make sure they are still there.
Check.
Then your fingers crawl into your mouth,
verifying your tongue as present.
Next your fingers migrate from the cave of your mouth
to your heart, where the concentrated burning
reveals a singed hole in your shirt
the size of a fist.
Your fingers dance gingerly
upon the tender circle of pinkness
flushing your exposed chest.
It hurts in a good way.
You are not crazy.
You have a crush on God,
a requited one.
Sssssh! It’s between you
and her.
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Goonies Forever

Let no one,
ever,
tell you what your destiny
is or isn’t,
or allow their criterion
to influence and determine
your course of being—
There is so much
you
inside you,
so much vast, unexplored
country which calls
for your footprints and courage,
to claim the wanderer’s
pitch-bright way
in a soul’s ceaseless asking
to be marveled in breadth, and known.
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Signed, Sealed, Delivered

You can,
if you wish,
file a million and one
embittered complaints
to the Universe,
but none will bring
the strange and mysterious
results that a single shred
of glimmering gratitude can,
its kiss the tenderest seal
upon symmetry’s origins.
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Storytelling

Void is boring,
a dull throb.
It has no stories to tell.
And yet, from the gaping orient
of emptiness
arises every story imaginable,
a turning to peaks
and sea-changes galore.
It seems, Void is the company
we are destined to keep,
an inheritance beyond the salience of claim,
and stories our children and lovers,
the warm ephemeral gains
to hold us, briefly, in tenderest thrall.
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Between Despair and Hope: A Song

Unnamed,
deep, dark,
the immaculate root-base
from which the muted call
to home
signals an exile’s longing
to claim merger, absolute.
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Starfishing

In the hazy evening smolder
(somewhere there is a fire, sirens
sounding alarm)
you dream
of her
as a jellied starfish
suctioned to your face
until breathing becomes a revised
species of flirtation
and you relinquish your lips
to the fete of longing
and kiss the air
tasting of smoke
(where has she gone?)
as the sirens draw nearer
to you,
and you alone,
the fault of ash
bound to the siege
of a dream-life deferred.
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Review of Virtuoso

“But I see my mind’s asleep.
Were it to remain wide awake from this point on, we should quickly arrive at the truth, which may well be all around us now (its angels weeping)!” — Arthur Rimbaud, A Season in Hell
And so, let us start by imagining those angels, weeping. Their tears, tiny silver scalpels. Their wings, mangled. Their faces, featureless and orphaned to pools of light. They are everywhere, traceless repositories for unheard screams and unheld children who grow fitfully into adults (housing mutated unheld children in the attics of their guts, the sacral basements of their anuses). Everywhere, innocents locked in metaphysical orphanages, everywhere, angels slashing at air with turquoise tears. 
This is what needs to be imagined, conjured, arrived at. This is how gauzy scrim calls to the curious and brave and dream-blooded to sneak intimate peeks, like the tenderest of spiritual peepshows. Here, I return to Rimbaud, or rather how he was compared to Paul Verlaine in Arthur Rimbaud: Presence of an Engima, by Jean-Luc Steinmetz: “Where Verlaine describes, Rimbaud hallucinates, and creates an epic.  It is not the recreation of a décor that matters to him, but the shaping of one from the starting point of a few elements bestowed by reality. Authentic magic, a spellcasting gesture.” It is this sort of spellcasting and sorcery, this strain of numinous lyricism, which forges strange angels from silhouettes in Yelena Moskovich’s Virtuoso.
Read the full review at Riot Material.

Virtuoso

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Waiting for the Punchline

The mind,
locked in Time’s vice-grip,
operating as a splicer
and instrument of quartering
and dissection,
as if there really were
isolated strips
amounting to calendar-flipped years—
1923, 1932, 1974, 1980, 1999—
as if Time were somehow real
and not just the shadows of a convenient disguise
calculated to cover up the numberless
and unbroken continuum of NOW,
and the truth is, we both perish and persist
as manic glimmers within every moment,
same as we cryogenize the specious history
of bones slotted for future sowing.
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The Gospel According to Heart

Become your own valentine.
Carve your initials
in the soft yielding bark
of your rooted hidden self,
dwell there, with choice tenderness
swelling the boundaries of your troubadour heart.
Become true to your own basking,
to the wonder-wheeling molecular bond
between you and the Universe.
Pay good, gracious attention,
and know that Love’s undimming proof
cannot be boxed, quartered, dissected, or defaced—
in essence, it is traceless in its vim and smolder.
Become your own valentine,
and come to feelize the truth
that you are not even “you,”
that is a shining sham and beggared illusion.
You are a part and magnetic extension
of the everythingness that shapes and forms
what might you call the universal lore of attraction.
And, if you so desire, you can fight it off
with a hundred clubs or thousand sticks
in a million different ways,
but that will not change the fact
that you are wedded to an energetic orgy of togetherness,
a liminal bubblebath that includes everyone and everything.
It is What IS. Dig?
The Universe, as a Valentine’s torch song
of cosmic proportions,
throbs and hums and thrums and palpitates,
which gives you a chance to tune in, Now,
to a self-Love Supreme,
and become your own gospel
to what dreams may come.

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(Artwork by Izumi Yokoyama)
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Self-Love Supreme

A true valentine crafted by Derek Walcott, titled “Love After Love”
The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
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