The Emissary

The-Emissary-1
My review of Yoko Tawada’s dystopic delight, The Emissary, a.k.a., The Last Children of Tokyo.
I have seen the future and it’s murder — Leonard Cohen, “The Future”
Stop me if you’ve heard this one before. Death walks into a bar, wielding a scythe, which he intends to use in shaving God’s face. Death, in his wanderings, has been hearing rumors about the wooly burning bush that covers God’s face like topographical phenomena, and he has made it his self-directed duty and obligation to give God a clean shave. The thing is, Death doesn’t find God in the bar, so he begins using his scythe on all the people he encounters in the bar, and then continues his bloody shave-fest out in the real world, as he continues searching for God’s hairy, burning beast of a face. In the end, Death is a misguided barber, and God an absentee with bigtime street cred. To dance the razor’s edge between vaudeville and nightmare requires a certain sense of marvel and precision, a certain joie de vivre to keep one company while suspended over an abyss, and this is the sensibility that Yoko Tawada exacts with finesse and fluency in her satirical timebomb, The Emissary.
Read the full review in Riot Material.
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Seven Ways of Looking at a Starry Horse

A poem written in response to Izumi Yokoyama’s “Wild Horse,” for an upcoming ekphrasis event.

wild horse

1.
The cosmos has no time
for serious thought.
Only horseplay,
amorphic in a milkbath of dark matter.
2.
Horse.
A noun fashioned
from the symmetry of wind.
3.
They shoot wild horses, don’t they?
Hungry ghosts cannot be broken,
only fed light
from unknown sources.
4.
Close your eyes. There is no horse.
Only a horse-shaped teardrop
running infinite lengths
to touch grief, its course
the majestic blood-let of dying stars.
5.
If you stare into the horse’s moon-seed eye
long enough,
eventually the horse’s eye closes.
This is not rocket science.
6.
Eternity, a rocking horse,
hinged on the fasting threads
of music unending.
7.
Am I a horse dreaming myself the cosmos,
or the cosmos dreaming through the equine bones
of a wild snorting god, patient and noble?
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Raking the Dust

Raking the Dust featured on Snowflakes in a Blizzard. Synopsis, sample chapter, reviews, where to buy, back-story info, etc. Thanks, Darrell!

bridgetowriters's avatarSnowflakes in a Blizzard

John Biscello (Author of Broken Land, A Brooklyn Tale)THE BOOK: Raking the Dust

PUBLISHED IN: April 2018

THE AUTHOR: John Biscello

THE EDITOR: Sophia Noulas

THE PUBLISHER: Unsolicited Press

SUMMARY: In this rogue’s tale, full of sound, fury, and surrealism, we meet Alex Fillameno, a writer who has traded in the machine-grind of New York for a bare bones existence in the high desert town of Taos, New Mexico. Recently divorced and jobless, Fillameno has become a regular at The End of the Road, the bar where he first encounters the alluring and enigmatic D.J., a singer and musician. Drawn to her mutable sense of reality, the two begin a romance that starts off relatively normal. When D.J. initiates Alex into the realm of sexual transfiguration, however, their lives turn inside-out, and what follows is an anti-hero’s journey into a nesting doll world of masks and fragments, multiples and parallels, time-locks and trauma; a world in…

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Candice Louisa Daquin Reviews John Biscello’s Arclight

I am thrilled and honored by Candice Louisa Daquin’s review of Arclight.

braveandrecklessblog's avatarIndie Blu(e) Publishing

What an incredible and irreplaceable collection. John Biscello has already earned his stripes with the first poem in his book Arclight. Biscello has that very rare quality of being a natural born poet. His use of words is so sublime and striking, it has the power to cast into shade, most other poets. Such is his radiance, I find the consideration of light for the subject matter of this book to be very apropos. Biscello understands words and language, his mind is vast and deep and he is able to mine the very depths and bring to the surface language that takes your breath away. It has been a very long time since I have sat quietly entranced by a poet. Usually, we dip and feel certain poems acutely but for the entire experience to sweep us into silence, where nothing we say in response could ever articulate the…

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Henry Valentine Miller

Because his middle name was Valentine, a V-Day tribute poem to that “boy from Brooklyn,” Mr. Henry Valentine Miller,  from my book Arclight.
Some men rattle their chains and wonder, some sing them.
Then there are others who spray paint their chains rainbow siege
and dance a jig like a peacock on fire, and when someone asks
Isn’t it hard to dance around with those chains weighing you down,
the man laughs heartily and responds—What chains, my dear lad,
these are feathers. Listen to the way they jangle and clink when I dance,
have you ever heard feathers that sound like that? Miraculous and unusual, yes?
You, Henry Miller, were one of those men.
You turned wrought-iron links, Brooklyn-made, into loafer’s foam,
into dreamfaring plumage, unabashed in its frisson and vainglory,
smeared bottom’s up in in deep semen envy, angel’s spit, and stolen honey.
Vagabondage was your claim, but not your master.
Though you did have many teachers—bilious clowns, crowded streets,
torn trousers, children’s capered faces, gateless barbarians,
your mother’s frigid ruler (and how you learned the only thing
worth measuring was love, that which belonged to the immeasurable).
A lusty little scamp at heart, eyes unpopping buttons
and sailing seas of skirts in parks, you were literature’s answer to Charlie Chaplin,
with an unzipped mouth and cracked tower of seismic songs to yawp,
the world needed a Henry Miller, because you said so,
and in cement that remained eternally wet, you signed your name
and sang, Whitmanesque, of yourself, again and again and again,
an explodingly insistent echo,
and the sincerest of forgeries,
because, for those dwelling between lines,
a signature verifying an identity—
I am he, he is me, he is he, I am I, etc.,
never does true justice
to the multitudinous at work
in the playing of one’s self as instrument
upon which God’s deep welling nothingness
meets and mates with one’s youthingness,
and from there, bang.
Just bang and wow and let’s make radical inscrutable love,
music, art, whatever.
You, “Henry Miller,” wink-wink,
gave us your pulsing timepiece of whatever,
and you, Henry Miller, as my Brooklyn soul-chum and compatriot,
separated by age but not spirit,
granted me amnesty
and helped me to unlock my own
bang, wow, and whatever
resounding yes
whatever
yes
yes.

henry miller

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Sylvia

Today, February 11, marks the death-date of the brilliant poet, Sylvia Plath. A tribute piece, from my collection Arclight.
To be a mother, and to double as a dark sorceress, a cleaver of dried bones, could not have been easy. Especially in the 1950s. They burned witches then, as well as reds and blacks and faggots, and other things that didn’t fit the paradigmatic slant. It was a time of burning, though televisions were new, and lawns were green and sprinklered, and men chewed cud while shaving their second faces. Also, they burned witches way back when, and now too, it seems witch-hunts belong to some fraternal order of treason, some moose club with crooked antlers, who knows.
You wrote poems. No, you fevered them. Red-hot blues, peppered shards of black. You held bits of the moon hostage, or she you. You mooned for the world, a she-wolf’s strip-tease, straight to the bone, and also, also there was your death’s head vaudeville act, juggling scythes, gargling ram’s blood and spitting it back out as flames that burned skyward, charring the fluffed bellies of clouds.
Alchemy, vaudeville, burlesque, spells brightening hollowed veins and inflaming corpuscles, spells animating petrified, rotting limbs, Lady Lazarus with a sideways grin, you did it all, Miss Plath, and still had time to make dinner. Still took care of the kids. Doing all these things while crossing the River Styx on a paper boat must not have been easy. But the poems, papered heartbeats, glistening with sap and resin, as if torn directly from dream-womb, and left behind for us to ponder, digest, fill our bathtubs with and swim in.
Your silver, vagabond, winter-kissed drops, pressed between the margins of an unyielding sea, will not be forgotten, for the moon holds the tides accountable for all its parceled beauty.

sylvia I

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Arclight now available

Arclight has officially been released. Available in print and digital editions.

Arclight I

John Biscello is not simply a novelist and poet, but an alchemist of verses. In Arclight, Biscello captains a voyage that transcends the physical world with graceful introspection, and philosophical wonder. His reflective nature invites us to ponder our own life experiences and ideals. Arclight is a true tribute to the human heart. “I always saw the humanity behind his thick-lidded eyes, the small child, begging for a banquet of golden crumbs to appease the motherache churning in his heart and stomach. A thousand lions pitted against a studded chain smoking beer gutted gladiator, I saw that too, he, the lions, the gladiator, the arena, the smoke and booze, all of it…” from, I See Myself
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Review Copies of Arclight

Dear Citizens of the Blogverse:
My debut poetry collection, Arclight, will be released in mid-February by Indie Blu(e) Publishing.
I am offering a limited number of advance digital copies to readers who may be interested in reviewing the book (on your blog, Amazon, Goodreads, etc.).
For a digital ARC, message me with your info.
Thanks, cheers & blessings, y’all!
Sample poem from Arclight:
Immigration Laws
We are immigrants in our own skin,
flash-fire refugees
who get by with falsified papers,
fake IDs, and forged signatures.
If caught
and found guilty
of a trespass
or transgression,
we pardon ourselves
in our native tongues,
language a placeholder
for the names
we were forced
to annul.

Arclight I

 

 

 

 

 

 

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Claim for the Meek

Poem from Arclight. Coming this February from Indie Blu(e) Publishing.
I do not want to see
the face of God.
I want to see her mask,
where
and for whom it cracked,
the causal history of lines and fissures,
want to trace,
with blind mute innocence,
the light quartered and drawn
in Braille, its grooves holding,
without strain or regret,
Mercy’s hidden inheritance.

Arclight I

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Arclight

Cover reveal for my debut poetry collection, Arclight. Coming this February by Indie Blu(e) Publishing.

Arclight cover

 

 

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