The Natashas

natasha
Review of Yelena Moskovich’s debut novel The Natashas.
“You enter a dark, deserted warehouse on the waterfront. One that smells of cats and kerosene, and whose walls are covered with dusty calendars from bygone eras. Or perhaps you find yourself in the balmy catacombs of an arterial sanctuary. Or, fill-in-the-blank, and create a setting that corresponds with your own resonant sense of dislocation, the flickering rose-light of omen and mystery. Simply, you are there, delegate to enigma, compelled to explore, to scratch an existential itch, which began with a crumb floating in a pool of cirrus: ‘In the boxshaped windowless room, all the girls are named Natasha.’ A simple description and declaration, what could be the textual fade-in to a Samuel Beckett cryptogram, and it is this cinematic ‘teaser’ which has drawn your inner-Philip Marlowe into a Maya Deren filmscape where a sign warns: The dream you are dreaming may not be your own. Welcome to the lucidly baffling world of Yelena Moskovich.”
Read the full review in Riot Material.
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Why I Love the Moon

You, Moon,
told me a secret
when I was a child–
Make wonder
your compass,
your true north,
abide by its magnetic tow,
and you will never get lost,
not truly,
and your soul will make
for warm, favored company.
Moonlight, a Study at Millbank exhibited 1797 by Joseph Mallord William Turner 1775-1851
(Artwork by James MacNeill Whistler)
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In the Company of Words

At times,
the savvy and elaborate architecture
of words,
the stunning and complex
tapestry of language,
its magisterial tunings
to sound,
is, in its beggared haunt
and infancy,
rooted in the unscabbed
core
of a pinking utterance,
a single quiver
airing innocence
to burn–
Ow.
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In Absentia

We are mostly
made from absence,
a light-stitched band
of particles,
aspiring, in concert,
to harmonize daring
feats of love,
or how we dream, in fits,
aligning our nodes
to perish.
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Love’s Greatest Fools

Slowly, slowly,
pour me out
of the wounds,
the chafing legend,
that we,
intransitive
in our grief,
shared at a common altar
and dais,
remember how we,
marvelous in our reaching,
hallowed the moon
as a redundant savior,
a charnel chamber for loaded romantics,
and came to loss
by the tenderest means
allotted fools.
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I Listen

“I Listen,” one of the poems from my forthcoming collection, Arclight (February release), now live on Riot Material.
To read click here.

 

 

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Desire by Any Other Claim

We were walking scarside,
had been for a long time.
The wind sounded like fading bells,
the air smelled of singed salt.
I asked her how her heart was holding up.
Good, she smiled, it’s floating jellyfishlike
in a pool of warm liquid.
That’s where I drown my ______________.
The way she spoke blanks, like concrete flatlines,
stopped me. And drew me closer to her void.
I always fell for and into women’s voids,
headfirst, heartfirst, groinfirst,
it was hard to tell the order.
But absence was a death’s-head elixir, a potion
made from pines, bones, and frozen bees.
I told her–Did you know
that the closer you get to a black hole
the slower time runs?
Is ……………… that ……………….. true ……………
she slo-moed her speech and movements, a dying reel
equal parts eerie and comical.
When she resumed regular speed, she kissed me
hard and quick, a hummingbird on high.
It was at the far edge of scarside
that she asked me–How is your heart doing?
I considered this, then responded,
My heart is _______________.
That’s where it’s most comfortable.
She smiled, I think savoring the jittery draft
of blankness, its throbbing drift,
then she stepped away
as I leaned into her void,
wanting.

 

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Ephemerally Yours

There is nothing
more heartbreakingly
human
than sharing your loneliness
with another,
a tender enclosure
bonding the furtive nuptials
of intimacy
for as long
as ephemera graciously
grants.
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Bubble, Yum

There is a dying art
to teething
on the candied skin
of a bubble
for as long as you can
before its inevtiable burst
becomes the shyest glimmer
grieving your lips.
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Unbearably Light

White-hot throbbing, to
bask in the sidereal–
Unzip your skin, please.
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