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Meta
Goblins
Posted in Audio, Cinema, photography, Poetry, Prose, Video
Tagged daughters, fable, family, ghosts, goblins, menace to society, Poetry, shadows, sisters, Spoken Word, the vanished, voices, writing
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Goblins
Red wind spirits. They carry people off. Mostly mothers, no, not mostly mothers, than is an allegorical kink, an innate twist, it feels like mostly-mothers, and so legend instantly concretizes itself in that feeling-force. The red wind spirits are also called goblins. I call them goblins when telling the story to the babies, my two sisters (their swimming moonseed eyes see me as caretaker, I am caretaker now, mother of story and home) … From nightmare and menace in real-time, dark fables are born. Flavored in furnace and runes. The burn remains on my tongue every time I tell the story, my tongue grows more ashen with each passing day (it has been seven weeks since we last saw our mother, seven weeks which we have turned into a blank slate of numberless agony, seven now part of void). I tell the babies about the goblins who steal people. They know the goblins by heart, young hearts weren’t meant to be branded with goblins, I sometimes think, sometimes reprimand myself for telling the babies about goblins. I am at a loss, word-and-otherwise. I am not a natural storyteller. This role was thrust upon me by conditional necessity. The babies know about goblins, about red wind spirits. Their moonseed eyes now flicker with the haunt of this profane knowledge, the dying of stars as perceived through aquarium glass, embers diffused and bewitched. The babies do not know about men in numbered suits, operating as brutal calendars and pale assassins, men who have grown eyeless through black wraparound visors, men with large hands, large enough to cover houses and neighborhoods. The babies do not know of men. They only know of goblins. They have one foot in fable, the other hopping off somewhere. I could, if I choose to, present my mother as evidence, as a series of curated photographs hinting at a life—the kitchens tattooed onto her elbows and wrists, walking the dog at the crack of dawn in her pajamas and slippers, the way her mouth forms a sickle when she is curious or doesn’t understand what you’re asking her … I could present this life, a life, my mother, our mother.
(every night
when i go to sleep
i feel
an army of fire ants
crawling on my skin
raising an empire
taking over
a body i cannot escape)
One of the babies cracked open her egg of fear, equal parts origin and shadow, by asking—Where is mama? The other baby, her sister, threaded the loop—When is mama coming home? That was seven weeks ago. They don’t ask anymore. I don’t know what they dream. I do know that they mutely pray every night to keep the goblins from abducting any more members of our family, of any family. And me? I give my tired mind silent permission to shrink down the colossal hands into something common, something manageable. I practice this useless alchemy, and sometimes I pray, same as the babies.
P.S. Last night me and the babies conducted a séance, using a hollowed-out gourd and mother’s heirloom silverware, just to see if contact was possible. We heard nothing, but one of the babies, wise beyond her years, suggested we give it more time.
Posted in Poetry, Prose
Tagged family, goblins, grief, loss, mothers and daughters, Poetry, Prose, red wind spirits, slow burn, vanished
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Reading at Teatro Paraguas
I am excited to be doing a reading and book-signing at Teatro Paraguas in Santa Fe, NM.
I got to see Theater Grottesco’s inspiring experimental production, Action at a Distance, this past May at Teatro Paraguas, and fell in love with the space: intimate, industrial, bare bones NYC underground meets theatrical enclave. I hoped to one day perform or stage something there, and feel grateful for the opportunity to present The Last Furies in this creative sanctum.

Posted in Artwork, Audio, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater, Uncategorized, Video
Tagged american novel, canadian press, conceptual, creative sanctum, intimate space, Literary, novel, performance, Reading, Santa Fe, santa fe event, Surrealism, teatro paraguas, The Last Furies
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Review in the Compulsive Reader
Louis Greenstein’s review of The Last Furies appearing in the Compulsive Reader.
Excerpt:
“The Last Furies inhabits a shamanic, liminal world where fantasies, yearnings, and radio waves merge to reveal secrets of the universe and mysteries of the human consciousness. From surreal desertscapes inhabited by eccentric, masked residents; to tarot readings come alive with magicians, fools, and hermits; to the anxious musings of an amputee former poet listening to a radio broadcast about a play about an amputee former poet; to a Joan of Arc inspired suicide cult; to a Mexican shrine to a mystical recluse, Biscello takes the reader deeper and deeper into a lyrical, spectral world.”
Read the full review here.

Posted in Artwork, Audio, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater, Uncategorized, Video
Tagged canadian press, Cinema, conceptual, fiction, fifth novel, haunting, indie publisher, Literary, lyrical, multi-media, surreal, text, The Last Furies, Theater
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Cover Reveal
Cover reveal for my sixth novel, No One Dreams in Color, which will be published by Unsolicited Press in April 2026.
I am thrilled that the cover features the artwork of Linda Stojak, one of my favorite contemporary artists who creates deeply haunting and illuminating images.

Posted in Artwork, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater
Tagged april 2026, book, cover reveal, dark, fiction, haunting, linda stojak, Literary, no one dreams in color, noir, Publication, shadows, sixth novel, surreal
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Manna
Do not say the thing that is easily said. Say the other, say the nothing, say the silence, say the unsayable, and save yourself (sort of) through the saying. Gold dust wafts down like filigreed motes from a rain-swollen ceiling. You breathe in gold dust and wonder about the Dream Inn that talked to Patti Smith, you wonder if Patti Smith’s Dream Inn is connected to Haruki Murakami’s Dolphin Hotel. A multitude of hotels and motels that exist as way stations for dreaming and liminal grooves. They are everywhere. It is a matter of psychic recognition, of subtle attunement. Word by word, you construct a self. The ghost of Patti Smith walks side by side with the living Patti Smith. This is how the writer lives side by side with herself. Surveillance is 24-7, it is a stalker’s game, you track where you are and where you are not simultaneously, an existential simulcast, a sideshow creeping. Patti Smith is a collector. The patina of time has engraved itself on many of her possessions, her keepsakes, her amulets. Longing, she moves through a tangled net and marginal haunt of memories, commiserating with ghosts and their daily bread from which she draws sustenance to keep living, to keep writing.
Posted in Poetry, Prose
Tagged art, between worlds, ghosts, haruki murakami, imagination, longing, memory, novel, patti smith, psychic, realms, time, words
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Scraps
Each one of us are curating our own reality, our own collections.
Philosophy is a crooked thumb trying to hitch a lift to the stars.
I listen to the wind sing, but can’t understand the words. The No Trespassing sign posted on the wooden fence bordered my apartment complex was no longer securely fastened and I heard it rattling and creaking as the wind blew. I know several people who can translate wind. I haven’t seen any of them in a while.
The silence in a snowy landscape informs you, in no uncertain terms, that God is listening.
I have often recalled, and I have often dreamed, and everything else feels like excess.
A story is simply the means by which a voice knows itself speaking, and other voices speaking listening in time.
Other voices speaking listening to other voices speaking listening is the bread and butter of storytelling, its mother node and simulcast nature.
There are visions everywhere voicing themselves. And the same is true in reverse.
Mom that seems to be everywhere all at once: Momnipresent.
Mom that seems to know everything you are doing always: Momnisicent.
I have always depended on the kindness of solitude to warmly acquaint me with words.
There are sentences I have yet to meet. I wonder if we’ll hit it off.
Posted in Poetry, Prose
Tagged contemplation, dreams, fiction, fragments, language, music, philosophy, Poetry, reveries, self expression, solitude, story, vision, voice, wonder, words
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Because the Night
Half-punk-scarecrow, half-mystic-urchin, Patti Smith seems to exist on the yellowed edges of saudade: the time-carved café table, the books she carried with her on her trips (as trusted and beloved companions), the way she packs light like The Fool, her removed and impassive muteness that speaks volumes and finds itself siphoned through lyrical impulse. This is not remembering—this is collaging an identity together piece by piece. Her imagined self is membered and constructed through stories, lore, and innate mythologizing. She traffics in archetypes, myths and legends, much in the same way that Dylan does. They are most at home on the borderline of mythology, legend, fable. She, like Dylan, is portal-jumper, a vagrant with a mystical twitch. Patti Smith is forever wandering in the zoneless geography of mind, in a self-regulated universe, or monoverse. Words are the ghostly calls of a linger and haunt, a dreamer’s dreams cased and corked in trembling lyrics, a never-ending negotiation between the outer and inner. Found wanting, found dreaming, found losing, found sounding off about the self as it is dissected in thin air, in the interstices between vanishing and emergence. Half-punk-scarecrow, half-mystic urchin, the pilgrimage is the thing, as the mind functions in conjunction with imagination as both correspondent and vice. Vision being the greatest narcotic of all. We can overdose on vision without moving an inch.

Posted in Artwork, Books, Cinema, photography, Poetry, Press, Prose, Uncategorized
Tagged artist, because the night, fragment, imagination, music, patti smith, Poetry, Prose, romantic, vision, visionary, writer
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Book Launch
Video clip from Last Furies book launch (10/9/25)
Posted in Artwork, Audio, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater, Uncategorized, Video
Tagged american novel, book launch, Book-signing, canadian press, excerpt, live, New Mexico, novel, Reading, Spoken Word, Taos, Video, video clip
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Kid in a Western
He could feel his hand, an undertaker’s apprentice, rosy rash pecking out a tremolo in the palm’s moist center, a fluttery pulse, as his fingers massaged the handle. His fingers ever sensitive to the crushed pollen coating the handle (time and the stranger disagreed in that time stood still while the stranger slowly approached), no, he wasn’t going to pull out his gun and perform some theatrical twirling, some show of ostentation just to justify legend … this time it would be level and direct, the vocabulary of precision: he’d shoot down the stranger point-blank. The stranger was approaching him with the wrong kind of attitude, a sneer that could be psychically sniffed out from a mile away: a broad-chested fugue in a tall hat slowly clarifying and coming into focus (for a moment he imagined he might experience one of those psychic reversals, or existential plot twists, where the stranger turned out to be none other than himself, and mythology and psychology and every other ology would come into play in this desirous motive to shoot down his shadow-self, but no, the man didn’t look like him at all, thank god). He’d generously allow the stranger several more steps, and then the gun, as an engaged extension of his body would reveal itself to the cinematic air, the imaginary X already sketched out on the broad chest, his index finger functioning as a lone operative, folding inward as the knuckle jutted … he’d done it before, so simple, it would always come easy, it was a motion executed like so many other rote and customary motions, a gesture born of rehearsed facility (legend claimed that the earliest rehearsals took place in the adventure of his crib): the raising of a glass, the tying of boot-laces, the petting of a cat. He saw the narrative unfold in a hyper-accelerated time-lapse, hints of fast-track cinema: the gun drawn, the bullet through the painted X, and he standing over the stranger’s body with victorious disdain and little to no regard for consequences or anything near to remorse. Now all he had to do was step into the frame and vision, and both act and direct in the real-time continuity of lore and evolving myth. In the distance, far off, he could hear a train whistle, and his mother calling him home for dinner.
Posted in Cinema, Poetry, Prose
Tagged americana, dimestore novel, fiction, gunfight, lore, myth, pulp fiction, story, The Kid, western, wild west
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