In Praise of Patti Smith

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Because the Night

In lyrical, abetted praise

of Patti Smith,

white witch torchbearer

of punk mettle

and lightning bones—

She, wildly grown

and gutter-starred,

remains in love and swelling thrall

to the Romantic timbre

and clash of Rimbaud’s

unrelenting wake,

or Plath’s penning of dateless verses—

In this respect,

vision, and visionaries,

never grow old or fade,

bur rather stand proof-tested

against Time’s scalpel and ruins,

exacting the plated wisdom of Novalis—

all philosophy is homesickness,

and so it goes, generationally engraved,

the song and the singer

forever mating to heed the marvels

of voice to calling.

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Bolano and Me

Last night I dreamed of Roberto Bolaño.

Or he of me.

We were sitting at a dimly lit café,

a subterranean plot of a café,

and Bolaño was drinking chamomile tea.

In the latter stages of his life

chamomile tea had become his drink of choice

as he permanently disfigured the literary landscape

with a pair of scratched glasses and acetylene torch.

Bolaño’s liver had gone to rot

and would not be making a comeback.

His father had been an amateur heavyweight boxing champion.

I wondered what he would think about his son drinking chamomile tea.

My father had been an amateur boxer, too,

but not a heavyweight, and not a champ.

I figured this was something Bolaño and I had in common.

That, and writing.

But I was too scared to bring up writing.

I knew of Bolaño’s legendary penchant for eviscerating other writers,

ones he thought lowered the bar, and I wanted to stack up,

make the cut, and I cursed out this bilious prick Bolaño

without saying a word to him.

I stared at the man, hunched over,

looking somewhat docile and resigned

as he sipped his chamomile tea

in slow and measured sips.

There was nothing to fear,

I was projecting, creating late night cinema

to keep myself on edge.

Then, a mistake.

I asked Bolaño what he was drinking

(having slipped my mind that I had already asked this)

and he said, without raising his eyes—Chamomile tea, stupid.

Stupid?

I felt my triggers flush and activate.

Fireworks went off in my head: Listen,

you scrawny, green-livered motherfucker,

just because you wrote some novels and poems

and denounced the literary establishment

with a holier-than-thou pedigree

and acidic smugness, just because…

My fireworks fizzled out.

I stared at Bolaño who was contemplating his tea,

a Buddha with a middle finger for a tongue.

Both of our fathers had been boxers,

but whereas his father had taught him how to box,

my father hadn’t taught me.

In that respect, I was at a clear disadvantage

if I decided to physically confront Bolano.

Then again, his liver was bad,

and as far as I knew my liver was functioning fine.

So who wins?

A writer with boxing skills and a bad liver,

or a writing with no boxing skills and a good liver?

I’d bet on Writer A.

I was Writer B.

I wanted out of this nightmare café,

out of this dream.

It represented too blunt of a mirroring system.

I rose to leave.

Bolaño’s eyes tracked me.

You should stay, he said. We can talk about writing.

Wait, Bolaño knew I was a writer

and he wanted to talk to me about writing?

All my venom dissipated.

Bolaño and I were on good terms.

I liked this proud, passionate, self-possessed

tea-drinking writer, whose father had been a boxer.

Just like my father.

There was that, and the writing.

We could potentially talk all night.

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Seal

Visionaries

elope with themselves.

Time-lapses

of a shotgun wedding

in a placeless tent

ministered by the migrating wind

and its sideshow cabal of voices—

In the company of echoes,

you kneel, and grow favorably intimate

with unheard of distances

closing on your lips.

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Outlaw Country

“Outlaw Country,” an excerpt from my novel, None So Distant, published in Spare Parts Literary Magazine as part of their From the Desk series:

Reports of fringy lore on lost highways. Point-counterpoint in a twangy battle of wills. Stay tuned.

       I am not going anywhere. There is nowhere to go. Someone took a picture of me, once, whenever, just like this—A girl standing on the highway, packed suitcase, waiting, hoping, or, not waiting, not hoping … pictures lie in ten thousand different ways.

       In that scene, I will always be there, here, the side of the highway, and every person that lays eyes on me will superimpose a story, I am imagination’s text and frozen asset, I am the photo that makes you want to believe in eternity as an irregular verb.

       I am not going anywhere, yet if you are not going anywhere eternally, is that the trip? Is that the action? The motion? The odyssey? Eternity, even as an irregular verb, is subject to context.

Read full piece here.
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Won’t You Be My Neighbor?

And on the eighth day, unseasonably warm,

the hounds basking in hell,

modeling balmy, crotch-rot bikinis in Gilead,

called out—

Please, God, let our leader

mirror starkly our deepest fears and shadows,

let him be as I, for I

am the candle’s guttering, green light,

advancing the dark to

restore the carcinogenic appetite

and capital cause of cannibalism—

P.S. If you see your mother’s severed limb

in my mouth, please forgive my

obscene eating habits.

Zombies are raised,

and not born,

as I’m sure you already know.

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Metamorphosis Variations

My fiction piece, “Metamorphosis Variations” (inspired by the first sentence of Franz Kafka’s “The Metamorphosis”) now appearing in 3:AM magazine. Excerpt below:

As I awoke one morning, from a night of discarded syringes and cough syrup, I found myself transformed into a woman dreaming she had been transformed into a scream. She, meaning I, awoke, the taste of mercury teasing my tongue, nerve-endings tuned to the residue of the scream I had been: the dead with polyphonous voices.

When the trembling in my legs quieted down, I swung them over the side of the bed, planted my bare feet onto the carpet, and stared at toenails painted faded calico. In staring, with my head bowed down, my hair, a sleep-warmed autumn, fell to either side of my jawline. I knew that in order to return to my pre-dream-state—I was a man of some sort, I think—I would have to pass through another scream, to release something primordial, a catch of hard existential candy lodged in my larynx. I would have to feel myself woman.

God, a plastic surgeon wearing a false mustache and dark glasses, raised her scalpel, and told me: Not all screams are created equal. Then she laughed, the blade moving swiftly.

Read the full story here.
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Conjugal

Hoarfrost mingling

with spring dew–

Hunger, sated to bloom.

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Alone-In

She grew infintely wet,

a throbbing void and pulsing slate

of Braille and intent–

subletting, by touch,

urgent spells of hunger

to a silent fast.

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Edie, Interrupted

Splitting images,
resurrection on a loop–
Stripping for heaven.

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