Near to Edges

Words meant to be read aloud inside your head. A paradox yes but true. To be read aloud inside your head could be the preface the header the suggestion accompanying the texts. In this respect you may hear the music. The music being the lasting proof. The words are auxiliary components. Honorable appendages. Everything bears its own dignity. How to cooperate how to merge how to mate harmoniously with the dignities of all aspects corresponding. This the question the quest the domain unmapped. This the homage to craft. Words to be read aloud inside your head to become music felt and heard. Felt resonances being one of the keys. To feelize the intent the song pulsing throbbing beneath the skin giving birth to the need the cast of words.  Correspondences between worlds between voices unseen presences felt. Feelizations. Words within sentences hold hands becoming family while accumulating intensities shades nuances to foster complexion. Every sentence a song unto itself favored within the broader context of symphony of moving parts asked to keep still while moving on forever. Motion and stasis the best of friends. Tensions circulating inside magnetic jazz thatting this way and thissing that. Music is proof lasting. The course is play. Stories carry the heart and void of forever within their endless voices. Words to be read aloud inside your head by warm lamplight. Never directives only suggestions. Only subjective reinterpretations remixed with verve.    

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Proofs

Once upon a time is a necessary mirage. Flesh born of word and bones fulfilling myth. Stories are the means to endlessness. They go on and on. We go on and on carried along by stories carrying within them the seeds of the lasting born. In the telling we are told. We are voiced along invisible currents which babble white tongued spirals and cadent intimacies. We being the keepers of the flood. Stories bubble up from under the great weeping the sleepover dreaming spells of multi versal lives refraining. We clone ourselves as test proofs. We give shape to our voices with alchemy blessing our gist. For days on end we weep with unabashed gratitude for all that ever was or is. We can’t help but weep after having touched the pulpy magnetic core of something so redeemably soft so defenseless. Stories are the means to endlessness. We are the tellers and the told. Once upon a time is a raging mirage by all means necessary.

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Dawn

Between lisping partitions of rain we ache. We long. It has been called this mortal longing this calculation of histories of distances. We seek the symmetries of lost hours in threads of rain falling graying glaring we reach between to fondle what can never be held only cherished. We run the risk for lasting symmetries. We seek with seeking being the side effect to breathing to nostalgia for living. We are seeking our truest forms. We have grown and raised golems half lit emerging as liminal wants. Our golems our mirrors seeding our truest born. Words keep us company. They are lighted proof of something or other. The words a harem of fireflies also embers christlike in their flagrance and scorch. The words are our lot. Invisible filaments dangle everywhere in this world between worlds filaments as the veins to an infinite geography to white hot plains mapped out by arteries. Here we ache here we long here we grow inaudibly moist with slaking want. From the molten core songs arise as summons. We sing for lost hours for symmetries sought. We are needful things with needful claims seeking our truest forms. Every golem mirrors its maker its shaper in shadows of creeping cradling dawn.

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Fade

It has been called this mortal longing and we have all hailed there all ached there swearing. Between lisping partitions of rain we seek phantom threads blue gray promising to guide us down unmarked roads to deepening distances. Seeking being the side effect to breathing to nostalgia for living. There is no cause only risk. Only want within rain falling to christen to cherish our defenseless fade.

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Holy Dark

In the dark I tell myself stories cycling through different guises different spells and guesses to sublimate an existential itch I cannot scratch. In batches the words arrive wingless like immigrants from distant shores. I go there hungover from daily bread to kiss them to issue intimate welcomes. The words gather to form a title to align a cause Homecoming for Exiles. In the shadows of the words growing warmer to me I suddenly realize I am speechless. I don’t know what or how to say. A silence soul killing not golden. A fuzzy glowing one presently unformed that one day may grow up to become wisteria or adagio flickers and softly lisps Chill the fuck out. I bow before this wise word this buddha fleabite of lyrical say so. The words a harem of fireflies each light an ember christlike in its fault and burn. In the dark in sync with tiniest flares I tell myself stories carried along on tides and furies of telling to only god knows where or why this longing.

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Children of the Moon

We lie here in fields dreaming unseen and fondle ourselves forgetting ourselves. In intermittent flashes elegies come as summons as reminders of what it was like to be human whenever that was. What was it like to be human the commonest refrain one voice trailing another then the next amassing a cortege. Each voice every voice carries within it seeds from great distances. None of us have names. We are indivisible mergers without claim to singularity. None of us can be seen. Presences felt stirrings resonances in waves of voices drifting veiling overlapping. The waves amass tidal asking in white roars and muted grays What was it like to be human. None of us can recollect. Continuity of selves long gone we carry on as mergers allied to moving distances repeating again and again What was it like to be human echoing the call of every and all.

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Lore and Order

We recall fondly. We recollect. The good old days in which we titled windmills redolently and rode dusty clanging boxcars across the horizontal spread of america What a lay we said hitching our pants sticking our peckers into every gopher hole and indian eardrum we could wrestle or manage. The good old days an unrolling panoramic canvas of america painted over with screaming reds graying blues earth turning browns others colors running together like luxuries found lost. We posed as sheriffs marshaling laws to frontiers unexplored my god we were real artists then painting with the light just right to conceal any shadows creeping unwanted across borders.

From beyond history I sit here now in this boxcar a tramp with torn baggy trousers too tight vest and dustcaked bowler writing songs no one will ever sing but that’s fine just fine. A train trackless running outside of time is concerned solely with mythology. Mythology in this case being the present moment expanded upon infinitely within the mantling of lore.

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Long Haul

Grief lies here like an insomniac pining for sleep. Like scissors running dull to the touch of fate. We paper over grief its many wrecks its brittle slates with hordes of torn pages. Forget me nots band aids christ sporting a porn stache. Upon torn pages words amass to memorialize to clarify the haul of plague doctors wandering roadsides barking Bring out your dead bring out your dead. Ten pages twenty thirty. Nothing novel in this. The words both deeds and barrows to the bones. We give graves to our young. Our candles rage mirages that merge with fall winds. Beneath the shadow of all things moving we incubate. We are sworn to the word to worlds unseen because the rules of the game assure us that paper covers rock. Grief is an insomniac attending its own coma nightly. From near distances we keep close watch.

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Where on Earth

Nineteen rifles and the village was burned to the ground there were nineteen rifles stolen by rebels and then came the awful burning down what was called scorched earth policy. My mother my father my brother were burned down to the ground with nearly two hundred others my god the atrocities committed my god I go on repeating numbly coldly in someone else’s voice not my own my god the atrocities. The village. I escaped. I don’t know how. Later on I heard the story it was on a radio program about this man a painter who went to the village the ruins of the village and painted. Every day he went to what locals from nearby villages now called the Vanished Village he went there wanting to paint the bones of the village the ghosts wanting to paint what the land held and was telling him what it tolled. The program said the man was a medium between the living and the dead and that dreams had led him there to the village to paint to listen. The man went there with a dog his dog’s name was Ginger or the dog was ginger colored or maybe it was both the name Ginger the color Ginger I can’t remember but the dog went rooting around and found a doll with broken limbs half buried in the earth. And when the man picked up the doll when he held it the man said everything came to him torrents of grief rushed through him the grief the voices the burning. The doll it seems was a medium between the living and the dead a gateway. The man painted the doll. In painting her he felt the presence of the young girl to whom the doll had belonged the young girl who had been her best friend. When I heard this I got to wondering if the doll had belonged to me. Were me and the doll best friends? I don’t know. My history isn’t mine. The village has been barred from my memory. I was told it was my home and so in that respect I have inherited its ghosts but what else. Mother father brother. These are words almost like stones dropping into a dark well and sometimes feelings sometimes sensations. They are dirges coming to me from graying far off places from graves I don’t know. When I hear the voices calling I feel as if the fire is moving dangerously close.  

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Keepers

Grief lies here like an insomniac thirsting for sleep. Like scissors dull to the touch of fate. We paper over grief its many wrecks its graying slates with torn pages. Forget me nots band aids christ sporting a porn stache. Upon torn pages words amass to memorialize to clarify the haul of plague doctors barking Bring out your dead. Ten pages twenty thirty. Nothing novel in this. The words both deeds and barrows to the bones. We give graves to our young. Our candles rage mirages that merge with fall winds. Beneath the shadow of all things moving we incubate. We are sworn to the word to worlds unseen because the rules of the game assure us that paper covers rock. Grief is an insomniac attending its funeral nightly. We keep close watch. We keep on.  

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