Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

New York Story

Posted on November 19, 2024 by John Biscello

When the bird hit me in the side of head, I had no idea what had happened. It felt like someone had blindsided me with a loaded handbag. I clutched at air and went down immediately. I didn’t feel any … Continue reading →

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Outtake

Posted on November 19, 2024 by John Biscello

I saw the sign in the window: Lessons Learned/Karma Burned. I went inside. The studio reeked of frankincense. And cotton candy. Greeting me at the door, as if she had been waiting for me, was a tall, well-toned woman in … Continue reading →

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Focal Points

Posted on November 19, 2024 by John Biscello

Deep focus in film, as in the depth of a shot, creating dimensional layers. What about deep focus when one points the camera towards the interior? Not just the surface level of interest or engagement, or the foreground, but a … Continue reading →

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Theme for a High School Dance

Posted on November 18, 2024 by John Biscello

There is a rumor that Laura Palmer is going to be at the dance. While you don’t know her personally, all you can think about is the exquisite mystique of her televised corpse, and how her voice, on a karmic … Continue reading →

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Distances

Posted on November 18, 2024 by John Biscello

In the catacombs of grief, she wandered. She wandered, without thirst, without hunger, without want. This frightened her. Had she lost her basic humanity? Why had she created such elaborate labyrinths in which to wander? Try saying that ten times … Continue reading →

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Without Proper Guidance

Posted on November 17, 2024 by John Biscello

They had me in a corner and ganged up on me. A team of guidance counselors wearing black turtlenecks, black Dickies, black wingtips, wristwatches, and spotlessly clean spectacles. Their voices harmonized in a harsh baritone chorus: Biscello (ohhhh…ohhhhh…sounded the echo)—what … Continue reading →

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Reel

Posted on November 17, 2024 by John Biscello

It’s like watching a movie. In which you deeply and passionately relate to the main character, who has been wronged. You feel angry, vindictive, vengeful. You want to lash out at the antagonist who has wronged him. Then you pull … Continue reading →

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He Who Gets Slapped

Posted on November 15, 2024 by John Biscello

In this unaired episode of Happy Days, titled “The Other Cheek,” Arthur Fonzarelli, Fonzi, the Fonz, slaps Richie Cunningham hard across the face. Void of context, we don’t know why. Richie’s jaw drops. He is in complete shock. He holds … Continue reading →

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Honeymoon Killer

Posted on November 15, 2024 by John Biscello

Ralph Kramden sweats and sweats, eyeballs bulging in their sockets. Plagued by the accursed notion that he has become a whale, no, a rhinoceros, no, an inoculated hippo that shows up to birthday parties uninvited. This visual grotesquerie, reflected back … Continue reading →

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Dust in the Wind

Posted on November 13, 2024 by John Biscello

A musician named Sam introduced me to Ask the Dust when I was in my early twenties. It was exactly the book I needed at the time. Sam had heard me read at the Vault, a house-based, performance space in … Continue reading →

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