Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

How Tomorrow Moves

Posted on November 11, 2024 by John Biscello

   It was a matter of helium-speak, and tomorrow-talk, and bright ribbons of noise amounting to nothing.    We, hanging out on the street-corner, conducting ping-pong volleys and raps, ferocity and verve, building ourselves up—who we were and were not, … Continue reading →

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Out of Silence

Posted on November 10, 2024 by John Biscello

Beckett spoke about it: the inability to keep quiet. The inability to not say stories, to not make stories, to not find oneself shaped according to stories fitted to shifting forms. Beckett, with gallows irony, talked plenty about silences. He … Continue reading →

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We Pause for Glacial Identification

Posted on November 10, 2024 by John Biscello

It is the winter within, the writer dying, the chaos bible scored in ice, texts of veins, I mean, I think I mean, veins of text, veins and bulging whorls of text embedded in ice, and your body moving through … Continue reading →

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Memory and Fiction

Posted on November 10, 2024 by John Biscello

What is the difference between memory and fiction? What are the intersecting policies of their tenuous and subjective relationship? For example: You have a woman, a mother recalling her dead daughter. She sees her daughter playing on the beach, she … Continue reading →

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Monkeys and Barrels

Posted on November 9, 2024 by John Biscello

None of it was going anywhere. It had been a while. Both things were true. Both could be beginnings. So let’s go with both: None of it was going anywhere. It had been a while. I felt like a dehydrated … Continue reading →

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John Fante

Posted on November 8, 2024 by John Biscello

John Fante splashed vinegar into the eyes of the world. The vinegar was house-made, from his mama’s trusty cupboard. Mama’s cupboard contained a lot, an old-world apothecary glutted with cloves of garlic, deceit, shame, bones, crucifixes, oregano, thyme, rosary beads, … Continue reading →

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Jean Rhys

Posted on November 8, 2024 by John Biscello

Jean Rhys was a bedraggled feline. She’d slink through cobbled alleys, lap up Parisian rainwater. High sky glance the glittering harem of stars, and long. Cats are the masters of longing. Spiders are patient, but when it comes to longing, … Continue reading →

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Kerouac

Posted on November 8, 2024 by John Biscello

Kerouac whizzed and hummed. He lived with smoldering zest a crumbling highway within. He took to this unlighted highway, equal parts tour guide and lost little lamb, nuzzling a candle, believing that even the littlest light would make him brave, … Continue reading →

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Marguerite Duras

Posted on November 8, 2024 by John Biscello

Marguerite Duras crowed about nothing. And nothingness. Lyrics like so much silky water threaded in the raptures of an eddy. Whirling, heady, intoxicating, a dizzying effect that spoke sheerest volumes about the secret history of love. Love for M.D. was … Continue reading →

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Beckett

Posted on November 8, 2024 by John Biscello

Samuel Beckett plunged his head so far up his ass, daylight became a dream and conundrum. He saw the world through shit-filtered glasses, the bluest of roses manure-caked, anal cavity functioning as the base of inspiration, as the grimy pulpit … Continue reading →

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