Virtuoso

Virtuoso,
by turns,
this dazzling concert of light,
golden, sounded,
the pooling reserve
of free jazz,
ordered to measureless standards,
rounding
into sublime.
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Why Not?

A soul,
timeless,
at play
in a field of dazzling light
and changeable shapes,
or, how the ordered
free jazz of plotlessness
keeps on turning,
and turning,
within the Great Mystery
into which I was called
to enter
and praise.
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The New Romantics

We need visionaries, now, more than ever.
Those in tenderest thrall
to the lore of zeal and trespass,
this side of dreaming.
We barker for the rise and call
of the New Romantics who,
in their shedding of scales and sundering of veils,
are preparing to open up to the ceremony of new skin.
We need beginners
to enter into the folds of Mystery,
which, unlike plot, thins
into the respiring air of wonder,
and flagless expansion.
We need those who are inspired
to vision sideways,
to model the unilateral tango of crabs
who move upon this earth with fluent mobility;
We are combing near and distant shores
for those willing to humbly
assume the mantle of guests,
while abdicating, like outworn appendages,
the petrified rod and spite of mastery.
Rest assured, watchtowers will collapse,
birthday cakes of ash and symmetry
will be spawned from the crisped rainbow plumage
of Phoenixes duly resurrected;
Dusk, in its celluloid gauze,
will coerce us into becoming surfers of gloam,
initiates of the in-between and unknown.
We need visionaries, now, more than ever.
Those willing to approach the doorstep of the Muse
as orphans with manna-starved eyes, where we are treated
to a marvelous bounty of gifts, previously undreamed, untried.
We need diggers willing to trade in rusty spades
for dancing threads, blood-dark roads
for ones that are impossibly red,
sterile spats of data
for innate feelizations.
Intuition,
you see,
is that old reliable bucket
bound to the rope
lowered into the well
from which ancient-new
seeds, moist and dark,
are drawn up into the light.
We need humanly wrapped beacons,
pooling to source
and harmonize
the cellular strife
of warring selves within;
We need to unlearn,
just enough,
to embrace
a new season of vocabulary,
and no longer be afraid of
or so quick to ridicule, belittle or dismiss
words such as
soul, mystic, witch, alchemy, wonder and why-not.
It was long ago prophesized
by one of those new-old Romantics,
Mister Arthur Rimbaud—
“At dawn,
armed with burning patience,
we shall enter the splendid cities.”
Visions,
which milk sunrise
from that timeless place,
do not age or wrinkle
or grow outdated,
they are, and remain,
the sound glimmering basis
for a renewable scape of dreaming,
feral seeds popping and sputtering
like homesick newborns
in the heart’s greenest drifts
and wilds.
There has been a bugled call
to bless your broken softly,
to become as aria and chorus,
brimming seismic yawps
in Whitman’s electric circus,
and at the liminal edges,
where torn veils
flutter like green wind,
and soul-speak meets felt-sense,
that is where you can hear
the whispers and echoes,
repeating in a continuum—
We need visionaries, now, more than ever,
those willing to marvel dumbly,
hopelessly in love
with Wonder’s wheeling gist.
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A Clean, Well-Lighted Place of Sharing

Poetry and art cannot be quarantined, as it moves freely though time and space, and announces its presence in cells, wind, electric waves of becoming.
Here, a poem finds a public home on the window of Parse Seco, courtesy of Izumi Yokoyama’s light-inspired, art-making. Stay creatively charged, y’all, and don’t forget to drink your steady fill of good golden light!

 

Light

 

 

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The Writing Life

Sneak-peek into the process:
I always write by hand, with my F-402 ballpoint pn (black ink), in one-subject spiral notebooks, the cheap kind that come in different colors (mostly I go with red, purple and yellow, occasionally blue or black, never green). In that my handwriting has grown exponentially more glyphic, I try and transcribe from page to screen as quickly as possible, giving myself a better chance of being able to decipher what it is I’ve written. My trasnlation rate of success for myself remains pretty high, and what I lose in translation I trust will later return in other runs of text or reimagined forms.
This is a poem-in-progress, “The New Romantics.”
The writing life is a beautiful thing, something to which I have long been devoted and do my best to honor, word by miraculous word.

 

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Thrall

In tenderest thrall
to the near side of dreaming—
Means to endlessness.
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This Side of Dreaming

It became abundantly clear—
we needed visionaries,
to marvel dumbly, in bated thrall
to wonder’s wheeling gist.
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Walkabout

Do not be afraid,
the golden freight  of trespass
reigns in your footsteps.

 

 

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Thin Air

As the plot thickens,
Mystery sires its own call,
thinning to wonder.

 

 

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The Silence

My friend
who lives in the woods
told me there’s
a silence there
he’s never heard before.
Said
he’s lived in the woods
for nearly twenty years
and while he’s heard
plenty of quiet,
volumes and volumes
of quiet,
the silence
that he’s now hearing
is something new,
a rare species
announcing its presence
like a changed vocabulary of air.
Which made me wonder—
Has the famously golden silence
about which
many monks and mystics
have waxed poetic,
has that silence
begun its infectious creeping
to a next level of pervasiveness
and reign,
its singular voice
growing stronger and stronger
in vying for the claims
of our deeper attention?
Are we, the humans,
being forced via paradigm shift
into becoming less,
so much wonderfully less
than we thought we were
or voiced ourselves to be?
There was a writer,
a German one,
who called for
and prayed at the altar
of the god of slowness,
and I like to imagine
that this man’s god would,
in matching pace to tone,
speak softly, a silky pulsing hush
gentling its way into
the hearts of those who listened,
as if eavesdropping at the edge of a dream,
where memory pooled to silver,
in thrall to levels
seeking the tenderest wake.

 

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