Straight Outta Brooklyn

Urban slice-of-life in this live reading from my novel, No Man’s Brooklyn, at last November’s Prose Month event.
NO MAN’S BROOKLYN:
From the valentine boneyards of working-class Brooklyn, comes a tale of first love, lost innocence, tragedy, and forgiveness.
Daniel Trovato, having left his native Bensonhurst years ago to start a new life in L.A., is recently sober and enjoying cult success through his Sworn Witness series of graphic novels. When he receives word that his childhood love, Anya, the girl to whose absence he has remained faithful, has died from an overdose, he is compelled to return home. It is there that he will walk through the ghostly twilight of an unfinished past, and revisit both the romantic lore and shadow-life of his childhood. The enduring torch he’s carried for Anya, “the girl from nowhere,” who was found in a trashcan and adopted by a Russian family; the hazy circumstances of his mother’s suicide when he was fourteen; glacial estrangement from his father; the street-and-concrete joys, follies and rawness of an urban boyhood. Ultimately, No Man’s Brooklyn is about the mythic journey we take to meet our core self, and a lyrical testament to the words of Dylan Thomas: “The memories of childhood have no order, and no end.”
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New Release: Passage of Days

Toutain-Dorbec book Passage of Days Morocco

I had the privilege of writing the introductory essay for Passage of Days, an exquisite collection of photographs by world-renowned photographer, Pierre-Toutain-Dorbec. Soon to be released.
PASSAGE OF DAYS: Through a lens starkly, undertake a photographic odyssey into the sun-baked heart of Morocco’s High Atlas Mountains. Spanning the years 1975-1981, Pierre Toutain’s Dorbec’s visits with the Imazighen people who live in the Imilchil region, led to a visual record and testament to a pastoral way of life attuned to the cyclical flux of seasons, to the rhythms of nature herself.  This exquisite black-and-white collection reflects a chronologically compressed life in the day of the Imazighen, underscored by the interior narratives and silent stories implied in a stunning montage of portraits, while also capturing the grit, symmetry and  high-desert mystique of the resident landscape.
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The Last Furies

IMG_20200717_123806_644

Completed draft of my fifth novel.
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Childhood’s Wake

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Into the Mystic

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Rainbow Connection 2020

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Rising

Dreams,
undeferred,
coupled with Hope,
that thing unfettered,
to keep us company
and warm our solitude,
as we stumble bravely
through a long night’s journey
into the bated gospel
of days rising to claim us.
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Paper Trail

Jigsaw geography of a novel in progress (The Last Furies).

novel

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Floodlights

We
are the keepers of the sacred fire,
the shapeshifters
and purveyors of starstuff undivided,
We,
tending to flocks of light and clouds,
understand that, come rain or come shine,
the founting marvels
from God’s lips, and breadth,
are a flagless scape
containing a ringed inheritance of gospel and blues,
a testimony to grace,
with love our code
and the immutable core nugget
through which we face our shadow
while turned toward the sun,
stepping boldly and bravely
into the glaring unknown.
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Word-Pray

Please understand that words matter.
This, in no way is meant to belittle,
diminish or dismiss the power of action,
but rather, to add “words” to the conversation
as a sort of auxiliary spiritual sibling,
or bolts in a timeless bridge.
And when I say “words,”
I am specifically referring to those
born of fire, forged from the crucible,
those that have cut their way through the frozen lake within
to emerge into the light,
words which have carried on their backs in flights to find voice the timbre and residue of good golden silence.
Words like beads of prayer stung together on invisible glowing bands,
words that hold themselves in tender glimmering thrall to dreams.
When I say words, I mean the grace-pop of Langston Hughes,
or the fire-ringed gospel of James Baldwin,
I am talking about the givers of voice and breath and being to stories and poems,
to legacies of literature making reverent the twin beats of Beauty and Sadness
as the cornerstones of our human saga upon this earth.
There are poems that whisper secrets in your veins,
or provoke seismic rumbles in the hollows of your ribcage,
there are stories that snake their way like liquid thunder
into the crevices of your soul only to become warm winged echoes
that carry you time and again through dark and troubled nights.
Language is a place-holder for our spirit’s cries, for its need to wonder.
In finding, and coming to feel the words behind the words,
openness is required, sensitivity to receive, vulnerability, a desire to experience, in scorched hints,
the burn and dream-life of another’s soul.
So, yes, words matter a hell of a lot.
They are, when you really get to know them, and experience them with naked and trembling intimacy,
alive, unflagged, organic energetic extensions of who we are, who we are not, who we dream or long to be, what we are made from.
They are our presences and absences stitched together in patterns modeling the thinnest of veils.
Words matter.
Or they don’t.
You choose your relationship with the world around you, with its sea of voices and all our clumsily wonderful mortal attempts at symmetry.
But there is, I guarantee, a world within you that matches and mirrors the world within others,
who have taken the time and care,
who were possessed or compelled,
to put down in words what it felt like to be human,
and how they didn’t defer their dreams to a life unimagined,
or left to silence.
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