Shimmer

2018-07-05 19.02.29
Light’s slow, basking crush
on the sea’s shimmied wavelengths–
A sunset affair.
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Illustory

2018-07-05 19.02.17
The sky,
a photographic illusion,
a veiled overlay,
which the sun,
in this starring instance,
burns through from behind,
creating a pinhole aperture
through which one can vision
proof of eternity,
and its unending
volumes of light.
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The Sadness of Beautiful Things

Review of Simon Van Booy’s collection of stories, The Sadness of Beautiful Things.
“O Lord, give us each our own death. Grant us
the dying that comes forth from that life in which
we knew love, grappled with meaning, felt need.”
— Rainer Maria Rilke, The Book of Hours
Simon Van Booy is a collector of stories, a distiller of them. He is the ear suctioned to the glass pressed against the door, the man scribbling on the back of matchbooks while seated in a hotel lobby, the sensual rover making his way through the patchwork euphony of voices in a diner. He is, in paraphrasing Anais Nin, a consummate spy in the house of love. Love, in all its splintered fragmentation, in all its rubbed shine, is always at the punchdrunk heart of Van Booy’s work, a dreamworn kernel in the grist of his tender elegies. His latest collection, The Sadness of Beautiful Things, inspired by true stories he was told during his travels, holds the power of love up to the light, in soft focus, while moving through a world of ache, sorrow and longing.
Read the full review at Riot Material.
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Ripening

“They wanted to blossom,
and blossoming is being beautiful. But we want to ripen,
and this means being dark and taking pains.”–Rainer Maria Rilke
O poor fragile blossom,
hue of vetted contradiction,
do bask in dark,
soft, storied chambers
and folds,
and come to know
the bible
of sputtering seeds
that speak, in tenderest scintillas
of gospel,
of ripeness to come,
of bursting
that soaks color through blanched veins,
and skin outworn
to fall.
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The Rebirth of Aphrodite

The tasseled white veins
of the sea pulsate
and spread powdery
billows.
The wild expanse
is a magnificent lay
of azure froth and fizzing eyelets,
goldened by the dragon’s teeth of sun.
Clefted,
between a rock
and a soft place,
the slowpooling shadow
of Venus
is cast,
to pierce,
and to spool
mortal longing.
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Elegy

At the risk
of harbor,
emptiness pools
where hearts
marvel
in sync
with grief’s
ruins.
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An Affair to Remember

2018-07-05 15.17.22
Unscripted, unbound,
wind’s summer fling with towel–
Love, gently aired, seeks.
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Door II

2018-07-05 14.25.59
When the trap door fell,
he remembered who he was–
Peter Pan leapt, soared.
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Door

2018-07-05 14.25.42
There is a legend
of a door hidden from hearts–
How stones, unturned, scar.
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Nocturne on the Horizon

Nocturne Variations Bookcover copy
Cover reveal for my new novel, Nocturne Variations (coming this November).  Designed by Heather Ross.
NOCTURNE VARIATIONS:
Dystopic Peter Pan meets surrealist noir in this cinemythical tale about love, loss and the illusions of shadow-play.
Los Angeles, December, 1989, is when we first meet seventeen-year-old Piers, runaway, savant puppeteer, spiritual love-child of Holden Caulfield and Edie Sedgwick. Addicted to Sike, an experimental drug which promises a surrogate return to Childhood, Piers, in an act of revenge, robs a briefcase full of Sike from her dealer and flees L.A., pursued by two hit men. Hiding out in a stark Southwestern town called Redline, where she meets and is taken in by a man named Henry Hook, Piers is soon confronted by the buried trauma of her past and the ghosts risen from old haunts.
Comprising a jigsaw synthesis of narrative, journal entries, letters, monologues, screenplay, poems, photographs, and press clippings, Nocturne renders an interior world of fragments and parallels, and casts a tinted light on that neverland between dreaming and waking.
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