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Meta
The Fat Woodworker
Posted in Prose, Uncategorized
Tagged Brooklyn, existentialism, folk tale, italian, John Biscello, no man's brooklyn, novel, prank, renaissance, story
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Gravesite
My father and I visited my mother’s grave. Nothing about it felt profound or moving. It felt like a prescribed exercise in courtesy, a bland ritual.
One thing that gave it a dramatic feel: it was raining.
There we were, a father and son, standing in front of the grave of the father’s wife, the son’s mother, the rain giving the scene a cinematic underscore, the father holding a large black umbrella, telling the son—Get under the umbrella, you’re getting soaked—the son responding—I don’t mind I like the rain—the father grunting, shaking his head, trying to light a cigarette beneath the umbrella, failing to light it, cursing, trying again, successfully lighting it, the son surveying the landscape of headstones, the smallest ones signifying buried children, and I, the son, wondering about Anya’s grave, where was she buried, I had never thought to ask, turning to ask his father if he knew where Anya was buried and the son seeing that the father had a strange look on his face, a sort of grimace, it could have been sorrow could have been gas, and I, the son, asking my father if he’s alright, and my father responding—Yea Yea I’m fine—taking one last prolonged drag, then flicking the cigarette away, blowing smoke out into the rain, my father saying again—Daniel come under the umbrella with me you’re getting soaked—and this time I join my father under the umbrella.
Posted in Prose, Uncategorized
Tagged anya, Brooklyn, cemetery, father, gravesite, grief, John Biscello, mother, mourning, no man's brooklyn, novel, son
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I Sing the Body Defective
Excerpt from No Man’s Brooklyn, novel-in-progress.
Me and Jake are Charlie are at the Body Rub joint.
Jake is treating me to a massage. He offers to treat Charlie too, but Charlie declines. He says he’ll be happy recording the sounds in the Body Rub joint.
Jake smiles and calls Charlie a sick bastard. Charlie calls Jake a lecherous Jew bastard. They both laugh. It feels like old times, yet not.
The Chinese woman at the front desk is smartly dressed in a pale lavender outfit. Her hair is short and dark and her nails are painted bright red. She speaks to Jake affectionately in broken English. Jake introduces the woman as Katie and says that Katie is the best.
Katie smiles at me, then at Charlie.
All three for massage, she asks Jake.
No just two, Jake says. Me and him. This guy’s just hanging out.
You both want special massages, yes?
Yea, Jake says. Well I want a special-special. Danny?
I ask Jake what the difference is between special and special-special?
Special you get finished off with a handjob, special-special a blowjob.
I tell Jake I’m fine with regular special.
You’re choosing hand over lips, Jake says, surprised.
Hand is good, I say. Why is it I’m choosing hand over lips, I wonder.
Jake pays Katie.
Katie gestures—Jake can show you where to go.
Jake nods, then turns to Charlie—You sure you don’t want a massage?
Charlie shakes his head. He is standing near the illuminated fish tank set against the wall.
I’m happy with the bubbles, Charlie says.
Bubbles, Jake questions.
The sound of these bubbles coming out of the filter. Come here, listen.
Jake and I walk over to the fish tank. We tune in to the gurgling sound.
You’re a sick bastard, Jake grins.
Lecherous Jew bastard, Charlie responds.
Jake leads me through a curtained doorway and into a hallway.
A quick detour, Jake says, and opens a door to his immediate right.
He clicks on a light and closes the door. We are in a bathroom.
You wanna snort some more?
Sure, I say.
Jake, who had shared some of his coke with me earlier, finds a Vogue magazine on the toilet tank and dices some lines on its cover, on the face of the cover-girl. I snort several, then Jake does the same.
After he’s done snorting, Jake plugs one of his nostrils and inhales repeatedly in a staccato rhythm, making sure every last molecule of cocaine has gone up his nose. Then he sucks a wad of phlegm into the back of his throat and spits into the sink. The yellowish gob settles on the rim of the drain. Jake looks into the mirror above the sink. His Yankee cap is pulled low and he has a wispy moustache. He looks like a dick working undercover, or just a dick.
I join Jake in the mirror and see both of our faces, side by side. They are cast in a chalky fluorescence. I turn away from Jake, from me.
Jake places his hand on my shoulder. And grins a demonic jack o’ lantern grin.
Danny fucking Trovato, he beams, in the bathroom with me, snorting lines.
Jake claps my shoulder several times, says—It’s good to be here with you—sounding very much like a comedian who is happy to see his audience, to have an audience.
When we were younger, Jake once referred to us as the Dirtbags of the Universe. Me, him, Fat, Charlie, the lot of us. He said that no matter what we did, what we became, what we accomplished, deep down inside we’d always be dirtbags.
It was like possessing an ineradicable stain that became synonymous with our hidden existence.
When I told Jake that maybe girls could save us, he laughed and said—I doubt it, but it’s worth trying.
The girl who was to give me the special massage was young. It was hard to say how young. She could have been twenty-five, could have been twelve. She also could have been one-hundred, or one-hundred and twenty, an ancient person on the verge of returning to the source of bloom. My guess is that she is twenty or twenty-one.
She has pin-straight, dark hair, and a wide, flat nose with cushiony give. I look down at her hands. They are small and pale, the nails unpainted and rounded into half-moons.
She tells me her name is Jasmine.
I ask her if that’s her real name.
She says she doesn’t understand.
I ask her if Jasmine was the name her parents gave to her.
Oh yes yes, she smiles, nods.
Then she gestures toward the massage table and tells me to lie down.
Should I take off my shirt?
Yes, unless you don’t want to.
No, I do.
I take off my shirt.
How about my pants?
It’s up to you.
I leave them on. And lie down on my stomach on the table and fit my face into the hole at the head of the table.
The carpet on the floor is a burnt orange color, reminding me of Halloween. I can’t see Jasmine, but I can hear her. She is squeezing liquid out of a bottle, and then she is rubbing her hands together. I imagine Charly would be happy recording these sounds.
I feel Jasmine’s liquid-slicked hands press down on my back, just below my shoulders. She begins kneading the muscles with a rhymical insistence. She works over the whole of my back with democratic acuity, and then starts in on my left arm. She reaches the halfway point of my arm, just above the elbow, when my arm is suddenly seized by cramps and starts convulsing.
Are you okay, Jasmine asks.
Yea fine, I say and try to shake out the shakes. I stop shaking, allow my arm to fall prone by my side, and another series of cramps followed by convulsions takes hold, this time accompanied by a searing pain in my left shoulder.
Try to relax, Jasmine says, and places her hand on my now-trembling shoulder.
I can’t, I say, and the tremors spread to other parts of my body—my leg, my foot, my face—all on the left side.
I use my right hand to push myself up and fall off the side of the table and onto the carpet. I can now see Jasmine, who sees me, and screams. As if she’s looking at a ghost.
Her scream, which is still going, cuts through me. What is it, I scream at her, what-what?
Your face, Jasmine points as she backs away. You have no face.
I rise to my feet, the left side of my body still in the grips of a seizure, bolt through the doorway, nearly knocking over Katie who was about to enter the room, make my way down the hallway to the bathroom, where I click on the light, look into the mirror. My face is there. It is my face. Save for the twitching of the eyelids, everything was normal, the same as always.
Charlie comes into the bathroom.
Danny what happened?
I turn to him.
Do you see my face?
Yea I see your face, why?
Is there anything different about it?
Different, what do you mean?
Anything wrong with it, anything missing?
No there’s nothing wrong with it, everything’s there. What the fuck’s going on?
I tell Charlie what happened in the other room, and how Jasmine had seen me with no face.
That’s some freaky shit, Charlie pipes in. What kind of place did Jake bring us to?
A place where people lose their fucking faces, I quip.
Charlie gives my face the once-over and smiles—Well it’s all there now.
My tremors having mostly subsided, I go into the waiting room and sit down on the couch.
Katie returns, followed by Jasmine, who is holding a tissue near her eyes.
Katie hands me my shirt, which I put on. Then she tells Jasmine to apologize to me. Jasmine softly apologizes.
It’s okay, she didn’t do anything wrong, I say to Katie. I don’t know what happened.
I replay the story for Katie and when I get to the part about Jasmine seeing me with no face, she begins speaking to Jasmine in Chinese, Katie’s voice sharp and crescendent during certain points in their exchange, as if she’s scolding Jasmine.
When they are done speaking Chinese, Katie asks me if I’d like to go back in and finish my massage, with Jasmine, or someone else.
I tell her thanks but I’m fine. Then I turn to Jasmine—You said you saw me with no face? I don’t understand. No face at all?
I’m sorry I’m sorry, Jasmine responds quietly, sometimes I see things . . . I’m sorry.
Jasmine lowers her head and exits through the curtained doorway.
Katie asks me if I’d like a glass of water.
Sure, I say.
She places a plastic cup beneath the spout of the water cooler, fills it, hands it to me.
I drink the water down in one sip.
More, Katie asks.
No that’s good, I say, crush the cup, toss it into a wastebasket.
Charlie, who had his headphones on, takes them off and says—Danny I got the sound of the scream on tape. You can’t hear it too good, it’s more like background noise, but it’s there. Wanna hear it?
Yea, I say, and place the headphones over my ears.
The scream is barely audible, but I can make it out. Like a nail scratching wet glass.
Posted in Prose, Uncategorized
Tagged Brooklyn, friends, John Biscello, Literary, massage, men, no man's brooklyn, novel, story, Surrealism, vices
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Father, I
I’ve been waiting for you to exist, I say to my father, even though he is not there.
What?
I’ve been waiting for you to exist, to become real. Me too.
What the hell are you talking about, my father says to me, even though I am not there.
Posted in Prose, Uncategorized
Tagged Brooklyn, existential, father, fragment, John Biscello, no man's brooklyn, novel, Prose, son
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Sideshow
I, perched on a craggy promontory overlooking my childhood, and its entire formless geography, saw them, my friends, all of them: a mutant strain of cryogeny, a mummified quivering changelessness, as if youth hadn’t been properly lived through but pickled.
It stuck to them, like barnacled remnants of infanticide, like stillborn chunks of adolescence, and I re-directed my vision inward and saw the same thing, a sideshow in an airless tent.
Posted in Prose, Uncategorized
Tagged Brooklyn, cryogenic, grotesquerie, John Biscello, no man's brooklyn, novel, passage, Prose, sideshow, youth
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Anya in the Forest
In the dream my mother and me are sitting in the lobby of a restaurant. We are waiting to be seated for dinner.
The hostess comes up to me and asks me if I am ________. I say yes.
She tells me I have a phone call, would I please follow her.
I follow her to the hostess station, where she hands me a black phone. It is an old-fashioned phone, replete with a cord. I speak into the receiver—Hello?
The voice on the other end of the line is Anya’s. She says that I need to find her, please.
I ask her where she is. She says she doesn’t know. I ask her what is around her. She pauses, then says—I’m in a forest. With lots of tall trees. And it’s starting to get dark. And someone told me that it wasn’t safe to be in the forest once it got dark. That if I was in the forest and it was dark I might get lost for a long time, or forever.
Anya’s talk of being lost forever scared me.
Anya, where were you right before you entered the forest, what was around you? I need some kind of clue, some point of reference to help me find you.
She says she can’t remember. Then she repeats, Find me, and hangs up. Or is disconnected.
I set the phone down on its cradle. The hostess looks at me and smiles. I smile back. And return to the lobby.
My mother asks me who it was that called me.
I lie and say that it was a wrong number, someone looking for another _______.
Posted in Prose, Uncategorized
Tagged anya, Brooklyn, dream, excerpt, forest, John Biscello, Literary, no man's brooklyn, novel, Prose
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Anya at Night
Late summer.
Anya and I are on a walking tour of the park at night. The 40oz. bottles of Olde-E we are carrying are concealed inside brown bags. We detour at the playground, where Anya plants herself on a swing.
Push me, she orders.
I set my 40 down on the blacktop, place my hand firmly against the small of her back and give her a shove.
She thrusts her bare legs out, tucks them under and in, thrust-out, under-and-in, repeated, until she is going strong and no longer needs me.
I sit on the swing next to hers, sip from my 40, and watch what becomes a noisy pendulum, Anya squealing as she swings.
Why don’t you swing, Anya suggests between squeals.
No I’m not in the mood.
Party pooper, she says, then sticks out her tongue and makes a wet, farting noise.
Thirty seconds later—I’m going to jump.
G’head jump.
You’d be a terrible . . . what do they call those people who try and talk suicide threateners down from roofs?
I don’t think they call them anything.
They must call them something.
I don’t know, downtalkers?
Downtalkers? That’s stupid, but okay. You’re a terrible downtalker. I’m going to jump, okay?
I pop up from my swing, drop to one knee, and plead—No Anya, please please don’t do it, you’re too young, you’ve got too much to live for, the earth will miss you, your family will miss you, I’ll miss you, don’t do it.
Anya begins laughing so hard she can’t jump. She scrapes the soles of her sneakers against the blacktop, slows down, and then stops completely.
Daniel you really do care, Anya rushes forth dramatically and hugs me.
I can smell and feel the summer of her animal.
She steps back, picks up her 40, takes a blast.
It’s so hot, she says.
Everyone complains about the weather but no one ever does anything about it.
Wait wait let me guess . . . Groucho Marx?
No Mark Twain.
Damn, Anya shakes her fist. Then she gathers her humidity-frizzed hair in one hand, produces a hair-band from the front-pocket of her shorts in her other hand, and binds her hair into a bushy ponytail. Her face is flushed and mottled with sheen.
Wanna go to the baseball field, she suggests.
Sure, I say.
The diamond and the dugouts bask in the soft bronze of streetlamps, while the outfield, which is outside the spherical reach of light, is a darkened mass. We plop down in the grass in center field.
It feels a little weird to be alone with Anya. Our isolated hang-outs have been few and far between, which is why I was surprised when she knocked on my door earlier and asked if I wanted to go strolling in the park with her.
It feels like we haven’t hung out in forever, Anya says. Like hung-out hung-out, ya know?
Yea I know.
What the hell’s up with you, Anya knocks me on the arm with her bottle.
What’s up with me? What do you mean?
I mean what’s up with you? What’s going on, you dating anyone, you writing a book . . . what about this L.A. thing? You still planning on going?
Yea.
When?
I’m not sure. Maybe spring.
Wow that’s cool Daniel. You’re really gonna do it. So many people talk shit in this neighborhood about what they’re gonna do, where they’re gonna go but you’re doing it—
I haven’t done anything yet—
Yea but you will Daniel, I know it. I have faith in you.
Thanks.
What does your father think about it?
He doesn’t understand why I wanna leave Brooklyn, he says it’s the greatest place on earth, but he says I should do what I wanna do.
Anya nods. And then sets her lips just above the mouth of her bottle and blows into it, producing the airy effect of seashell music. When she is done playing, she looks at me—I got some news too. Me and Angelo are getting married.
Really? Wow, that’s . . . wow, congratulations.
Anya pauses, returns to blowing into her bottle, stops, says—That’s a pretty sound, isn’t it?
It is, I agree.
She plays a little more, stops—I’m not pregnant.
What?
I’m just saying I’m not pregnant. We’re not getting married because I’m pregnant, it’s not one of those deals.
Well that’s good.
Yea, Anya chuckles. Can you imagine me as a mother?
Anya chuckles again, then extends her hand—This is the ring.
It’s a nice one, I say.
Yea it is. Do you wanna know how he proposed to me?
How?
We were eating dinner at Uncle Chang’s the other night and when the fortune cookies came mine had a ring inside of it. I have no fucking clue how he got the ring inside the cookie without cracking it but he did. Or the waiter did. Someone did. Impressive huh?
Yea, and novel too. So when’s the big day?
We haven’t set a date yet but maybe in the spring. Hopefully before you move to L.A. I would love for you to be at my wedding. Will you come?
Of course, if I’m still here.
Good, Anya nods. And stares off into the distance.
Do you think I’m too young to get married?
I don’t know. But for what’s it worth, my mother was the same age as you when she married my father.
Was she pregnant with you when she got married?
Yea.
So she might have gotten married for that reason, huh?
Maybe, I don’t know. I never asked her.
Again the nod, again the faraway stare. Then Anya melts onto her back.
Lie down with me, okay?
Okay.
I lie down.
Our sides are touching, barely, but enough.
You can’t see many stars tonight, Anya says.
Too hazy.
Yea.
Anya points out an airplane, cruising like a lighted blip across the night-sky—There goes a star.
Then Anya giggles and says—Remember?
Of course I remember, I say. Remember that I remember everything? It’s forgetting that I have trouble with.
Oh yea I forgot, Anya giggles some more. Maybe that’s why you drink.
Maybe.
When we were kids Anya would point out airplanes and say that some of them were not airplanes at all but stars that couldn’t stay put, stars that had to keep moving.
I’m gonna miss you when you move to L.A., ya know? What am I gonna do without my Daniel?
Before I can respond, Anya starts singing Elton John’s “Daniel,” something else she used to do when we were younger.
Daniel is traveling tonight on a plane
I can see the red-tail lights leaving for Spain
Oh and I can see Daniel waving goodbye
Lord it looks like Daniel, must be the clouds in my eyes
Anya takes my hand and holds it. I can feel the insistence of her nails scratching into my palms. I can also feel bits of my heart rising in manic flutters toward my throat.
I see a second plane, or migrant star, cruising across the night-sky, not too far behind the first one.
I raise myself to its arc, and become a bodiless spectator, looking down at Anya and me lying in the grass in center field, hand in hand, our sides touching.
Time leaves us alone for a little while.
Posted in Prose, Uncategorized
Tagged anya, Brooklyn, devotion, dreams, friendship, John Biscello, los angeles, love, no man's brooklyn, novel, Prose, story
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Valentine
Excerpt from Nocturne Variations:
From that point forward Piers and Teresa hung out nearly every night, getting drunk and stoned and completing each other in various ways.
An adverbially inflamed Teresa fell hard for Piers and loved her swoonfully, piningly, achingly, loinfully, gaspingly, inviolably, subhumanly, deepseedingly, couldn’t get enough of her, told her things like you enable me to breathe, and considered Piers her soulmate, the one whose rogue independence she would draw from in gathering the strength and courage to ditch Redline and head out into the great wide world.
Piers, on the other hand, was not in love with Teresa, not in that way, but she enjoyed her company and friendship and the way she gave her body and holy fire without reserve, she enjoyed reading Teresa Anne Sexton poems and enjoyed Teresa’s sensually tubercular responses to Sexton’s words, as if she were swallowing tiny drops of razored rain, and she definitely and deeply enjoyed the banshee-pitched, convulsive reactions that surged from Teresa when she was being eaten out.
You might say: Piers was on the periphery, playing at love, while Teresa was seriously and thickly in the middle of it.
Posted in Prose, Uncategorized
Tagged John Biscello, Literary, love, lust, nocturne variations, novel, piers, Prose, story, teenagers
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Palmistry
Eternity,
misconceived as a noun,
and now?
My palms stay open all night.
Posted in Poetry, Uncategorized
Tagged eternity, John Biscello, noun, palm, palm reader, poem, Poetry
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