Sunday’s Children

while-the-trucks-on-the-highway-all-howl-48x60-oil-on-canvas
(Written in response to Joe Sorren’s “While the Trucks on the Highway all Howl”)
While the trucks on the highway
all howl, beneath a milk-bottle sky,
Sunday’s children, curious and bulb-headed,
lay vigorous claim to Paradise.
Non-profit architects,
they sit upon the sand-skinned
hand of God, a rough-hewn cradle,
stable and craggy, while their nearest neighbor,
the Sea, produces deep-bellied blues,
fathomless and freighted with
the arias of disenchanted mermaids.

Continue reading

Posted in Artwork, Poetry, Uncategorized | Tagged , , , , , , , , , , | Leave a comment

Hide and Seek

   bresson's boy
   Ready or not, here I come.
   I can still hear my voice calling out, a bright echo in a jagged loop.
   Hide and seek was a game we used to play all the time.
   At my house. Her house. On the block. In the park. Wherever.
   She—whose name has gone from me, though I have superimposed many names over the absence throughout the years—always insisted on being the hider. She refused to seek.

Continue reading

Posted in Artwork, Prose, Uncategorized | Tagged , , , , , , , | Leave a comment

Fugue

tumblr_n04qc7TkuT1rw3fqbo1_1280

(Written in response to Josef Sudek’s “Sunday Afternoon on Kolin Island”)
The camera’s lucid eye
swaddles them in gauze,
reverse cocoon effect
and causal brakes
of a fugue,
fast-tracking lives
to ashen blanks.
Posted in Artwork, Poetry | Tagged , , , , , , | Leave a comment

Fiction in Taos

From the Taos Rag, July 2016

Fiction in Taos

 

 

Posted in Books, Press, Prose | Tagged , , , , , , , | Leave a comment

Wheelbarrow

sudek wheelbarrow
(Written in response to Josef Sudek’s “Contrasts, St. Vitus Cathedral”).
Considering
the slopes
of noble toil
and grave matter,
so much depends
upon a soiled
wheelbarrow.
Posted in Artwork, Poetry | Tagged , , , , , , , , , | Leave a comment

Review of Raking the Dust

A review of Raking the Dust for which I was most appreciative.
“Gritty and serene, twisted and sweet, bizarre and weirdly relatable… this novel is magical surrealism and simple authenticity woven together in an improbably captivating tale. I was reminded of Murakami and Don DeLillo, with a little J.D. Salinger and Bukowski– the simplicity is deceptive and the author draws you in to an odd tale that becomes irresistibly mysterious and compelling before you even realize it.” Continue reading
Posted in Books, Press, Prose | Tagged , , , , , , , , | Leave a comment

Mass

Sudek church
(Written in response to Josef Sudek’s “At Church.)

jesus
christ we applaud
your shaded storehouse
of yesterday’s
cured pulp and
no account sins, a meat pack
industry at love’s labor’s cost;
we, the proud brood of salt
and bread, walk dignity’s measure
as best we can, neverminding
on our backs the burden of pillars
which weigh nothing
and less than nothing
against the mass of light
we have quietly gathered.

Posted in Artwork, Poetry, Uncategorized | Tagged , , , , , , , , , , | Leave a comment

Of Men: Strength and Vulnerability

 

Jomo-andJohn-568x700

This photo from Zoe Zimmerman’s elegantly empowered collection “Of Men: Strength and Vulnerability” was selected to appear in the outdoor photography exhibition The Fence 2016. Opening July 9th, where it will run for three months, in the Railyard Park in Santa Fe, NM.
For more about Zoe and her work, click here.
Posted in Artwork, Press | Tagged , , , , , , , , | Leave a comment

Leaf

sudek leaf

(Written in response to Josef Sudek’s “From the Window of my Atelier” series)
 A single leaf,
solitary, unattached, at home
in space, feral pucker
seizing upon glass,
a lonely kiss
moist to the crunch.
Posted in Artwork, Poetry | Tagged , , , , , , , | Leave a comment

Totem

dust IV
   Here, her mother said, pressing something into her palm.
   A pinch.
   A pinch, breaking skin, spreading blush and heat.
   She looked down—her palm now tattooed with a tangle of dark glyphs; a concert of spirals, curlicues and arabesques. The glyphs pulsated, a beat almost setting them in relief against her skin.
   Mother, she said, raising her eyes—What have you given me?
   I gave you—her mother said, staring deepsong into her daughter’s liquid eyes—I gave you my history. It’s a small thing, but I wanted to pass it on to you. Pass it in to you.
   Amazed, the daughter stared at the cursive totem monopolizing her palm, and tried to conceive of how much history her hand now held. A future recalled, a past foretold.
   She closed her fingers, screening history, and opened them, a revelation. Again and again, open, close, hide, reveal, keeping time to wounds. The rapid fanning of joy and sorrow made her dizzy.
   Are you okay, her mother asked, brushing stray strands of hair away from her face.
   Yes, I am. Thank you. Thank you for this gift. Are you—
   The daughter’s throat seized up; she stared down at her shadowed hand.
   Am I what, dear?
   Are you leaving?
   The mother nodded, gravity-thick, and kissed her daughter lightly on her forehead, a cool imprint of lips, a fugitive echo, before she faded, a trick of light expired.
   The daughter dug glassy nails into her palm, testing the reality of the history she had inherited, and as the pinch, sprouting thorns, moved from her palm to her heart, she recalled vividly how the water had risen so quickly, and how the dark, fierce and weightless, had risen with it.
Posted in Artwork, Prose | Tagged , , , , , , , , | Leave a comment