Volume by White

song of cicada chua ek kay.do
The staggered trajectory
of the cicada’s voiceprints,
a slow clean fade
into reprieve
and lasting fugue.
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TV

pb56
Light, a beacon in a fish-bowl.
It was the only channel Bobby received
at night after his parents went to sleep,
after his vision adjusted to
the warning signals arraigned
in silence.
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The Chairs

nicosia-airport-abandoned-1
Stiff-spined, hammer-headed, squat-bottomed,
rubble-flecked alternates
to the chairs that once stilled motion
and held human life; the people lost,
the flights canceled, the chairs
a stirring musical memory, a ghostly paean
to the dashed dreams of a grave new world,
already in progress.
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Mannequin

Mannequin
After countless years of mind-numbing routine,
strolling up and down the avenue
where she shopped for groceries and clothing
and listlessly scavenged storefront windows
with vicarious pleasure, on October 13th
the housewife experienced a foreign sensation,
astonishment, freighted with terror, when the mannequin
perched in the window of Maisy’s–the bald, armless,
bare-breasted, cross-legged, bullet-waisted mannequin
leaned forward and eyed the housewife with naked hunger,
as if wanting to claim the housewife’s life and body as her own,
particularly covetous of her fleshy arms,
dangled totems of validation
that were always just beyond
the mannequin’s liminal reach.
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Alice Through the Looking Glass

drizzle
Drizzle-matted canvas of glass,
static layers of form assimilating harmony–
Alice, sublimely mute, matches gravity
to prayer in refining the lost art of sadness.
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Fallout

chua ek kay
The Rorschach pulse of ink
in the ruptured veins of cityscape–
angels, disguised as fallout,
move unnoticed
through an inherited smear campaign.
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Boy

bresson's boy
At the time he didn’t know it,
but stalking the radiant specter of morninglight
as he sprinted down a cobbled alley,
he left part of himself behind
in a jigsaw piece of puddle
that later, years later, he would reflect upon
and fit into his lifewash of memories.
He would cross that puddle again, this time slower,
and with deliberate intent, gazing upon
the boy running in place, his treadmill Innocence.
The boy was in no hurry,
his youth a portal to cloud-eating and sky-grazing.
He wanted to reach out to that boy, wanted to palm the mirage
for the briefest of flickers, but he knew that as soon
as his hand touched the water the image would dissolve
and the boy would be gone forever,
so he bore the exquisite agony of prolonged staring
from an immeasurably near distance.
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Next?

A dancer’s sad dream–
flight, short-lived,
returning to earth, sharp teeth.
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Sculpting Fire

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An excerpt from Nocturne Variations:
   It is like closing your eyes and trying to connect the dots.
   This is what Piers is thinking as she sculpts fire onto the blondegirl’s breasts.
   Her hands work over the cotton-knit sweater, and then under, fingers skimming bra as if it were runway Braille.
   Piers and the blondegirl, whose name is Tracy, are at Tabanid, a nightclub on Sunset. Specifically, Piers and Tracy are in the coat-nook, a place where Piers often takes the girls she meets at the club.
   Piers and Tracy’s mouths are grafted together in animal wedlock,
   their tongues like forked lightning, flashing pearls of saliva.
   Because Piers, at 5’2, is shorter than Tracy, 5’7, there is a furious incline to her kissing, to her desire.
   Outside the coat-nook, a rapping on the door, followed by a voice—Piers. Fucking Piers. It’s time to go on. Get yer ass out here. PIERS.
   The voice belongs to Trink, Piers’s shadow-show partner.
   Piers disengages her mouth from Tracy’s.
   The two girls are panting, inflamed.
   Piers steps back, allowing her perspective to widen.
   Tracy tucks stray bits of hair behind her ear.
   Piers can’t tell if Tracy’s eyes are blue or green. She asks.
   They change depending on the light, Tracy responds with obvious pride in this quality.
   They change according to the light, Piers repeats, smiling, relishing the prickly sensation just below her navel.
   Piers draws nearer to Tracy, isolating her perspective to Tracy’s face.
(Trink: Put your tongue back in your mouth and get yer ass out here.)
   You’re so fucking beautiful, Piers smooths her hand over Tracy’s cheek.
   Tracy, in turn, runs her fingers over Piers’s fuzzcoated scalp—I like your shaved head. The way it feels. And I like your tongue piercing.
   Piers sticks out her tongue and wags it, modeling the ribbed silver stud bobbing on pink.
   Then she springs forward, tongue lancing Tracy’s sealed lips.
   Again the kissing, the groping, connecting the dots.
(Trink: I’m leaving Piers. You hear me? Bye!)
   Piers withdraws—Guess I gotta go.
   Then, clutching a swath of coat, Piers asks Tracy—Do you like leather?
   What do you mean?
   Piers takes a blue leather raincoat off its hanger, places it like a shawl over Tracy’s shoulders.
   Who does it belong to, Tracy asks.
   I don’t know. Maybe a lady named Suzanne.
   Huh?
   Nevermind. It’s yours.
   I can’t just—
   Sssssshhhh (index pinning Tracy’s lips) it’s impolite to refuse a gift. See you after the show.
   Wait, one more thing.
   Piers tears the sleeve of the raincoat.
   There. Now it’s perfect.
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As the World Nocturnes

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I hereby invoke the blessings of the EverGreen Muses and Lit-Minded Gods as I seek a new publisher and send my “golem-baby” of a book out into the great wide world. Fare thee well, Nocturne!
ABOUT: Dystopic Peter Pan meets surrealist noir in this cinemythical tale about love, loss and the illusions of shadow-play.
Los Angeles, December, 1989, is when we first meet the seventeen-year-old Piers—shaved head, gleaming saucer eyes, waifish frame—a runaway and a savant puppeteer. Addicted to Sike, an experimental drug which promises a surrogate return to Childhood, Piers, in an act of revenge, robs a briefcase full of Sike from her dealer and flees L.A., pursued by two hit men. Hiding out in a stark Southwestern town called Redline, where she meets and is taken in by a man named Henry Hook, Piers is soon confronted by the buried trauma of her past and the ghosts risen from old haunts.
Comprising a jigsaw synthesis of narrative, journal entries, letters, monologues, film footage, poems, photographs, and press clippings, Nocturne renders an interior world of fragments and parallels, and casts a tinted light on that neverland between dreaming and waking.
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