Honeymoon, Rinse, Repeat

camellia
She crashed their sixteenth honeymoon,
violet lace and camellias,
ceremonial fashion for a ritual sacrifice,
and reminded him—I will kill your wife
however many times need be, my love,
to make sure you and I remain bonded
and not shackled. Her husband, who had eyes
for the same woman, slain and reborn time and again,
slipped off his ring, and then his skin,
becoming her lover
over her husband’s
dead body.
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The Source

mother VII

This poem dedicated to mothers’ everywhere.

Their hearts, registered
as infinite beacons,
have gone gently
and luminously into nights
not so good and pitch-black, braving
flytrap folds and god-awful rows
to soothe, mend and
restore the bruised vitals
of daughters and sons;
they go, infused with bright rage,
green force driving home
nocturnes and hymns–I will sing for you,
child, in your gravest moments of fear,
when mirrors forcecast darkly,
follow my notes, gonged and trilled,
lisped and cracking, a gospel rush
of crumbs guiding you, measure by measure,
into the milkdeep arms of safe harbor.
When lost, we set our compass
to Mother, the truest needle forever pointing North,
a fixed constellation
wedding orphans
to an infinite charge,
how light travels
at the incalculable speed
of love.
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Compass

mysteryandmelancholyofastreet-1
Abiding
the testimonial
of scattered crumbs
and clefted petals,
I will follow you
the snaky length
of impossible
and hidden places;
I will follow
you, claiming the hem
of your shadow
as my guide.
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Meet me at the End of the Tunnel

sudek mannequin
Forsaken angel
seeking Mortal reprieve–
serious applicants only.
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Dietrich in Heaven

dietrich
Spoken word track from the upcoming album Arson & Grace. Featuring Ben Wright on bass.
Listen here.
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Cursive

stars

Stars,
ancient cinema
illuminating
a silent revival
in cursive.

 

 

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Crossing

di chirico IV
A mirror, tilted, starkly
pooling lovers
self-similar turns
and views
of each other;
I am I,
you are you,
qualifiers blurred
and dissolved
in a furious crossing
of ritual desires.
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Review of Carnet d’AmeriKa

Carnet

Carnet d’AmeriKa, Erin Currier (2016, CSF Publishing)
“To be human is to transform; to be human is to name, then name anew. I must remember the inseparable nature of word and action.” Erin Currier, November 6th, 2004
 In a sense this passage became one of Erin Currier’s self-fulfilling mantras, its ethos guiding the trajectory of her life and art. As an insatiable seeker, with the ambulatory zeal of a flâneur, Currier has literally “walked the walk” in collecting trash from different countries around the world. Her epic scavenger hunt, keyed to alchemy and renewal, has given rise to a dynamic body of artwork, which continues to grow and attract followers and collectors worldwide.
Continue reading →
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After Party

mask bones

She, Lazarus,
back from the dead,
with a musical vengeance—
A beat, Christ, please,
she asks of her martyred D.J.,
half-light, half-man,
and out climbs her voice, grinding
through rubble, a dark velvet toy
wound up for centuries, released,
on behalf of every last blue girl, unannounced,
notes from underground
unfurling a cortege of white ribbons,
grace lost
now found
among trespasses.
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Fete

At the window,
creamed in pale light
and amber, a gauzy feting
of an interior life, as if
solitude, doubly engaged,
rears company
from silence.
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