Preschool, a Love Story

cherry
Jilly, aged three, bared her teeth
& bit Jack, four, hard on the arm,
breaking skin &
drawing blood.
Stunned, Jack’s baby blues
ballooned & gaped at Jilly,
bright with malice & glee.
Why Jilly why, Jack cried,
nursing his wound.
Cuz that’s how much
I love you Jack, how much you
there is in me.
As Jilly picked Jack’s skin
from her teeth, Jack’s heart
turned into a pair of flying scissors
& cut Jilly’s hidden paper doll
into a puddle of tiny pieces.
Matching wounds,
with grace & fidelity,
the two lovemates
embarked on their honeymoon
years before they were married.
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Tangle

sudek, last roses

Grief,
a tangle
of hidden hands
emerging
to bury you standing.
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Cleft

kiss sing
Kiss,
the clefting of vowels
while she brings your mouth
to praise.
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Bound

lips
Intimacy,
the skeining of desire,
bound by recourse.
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God’s Word Against Mine

sudek creative power
And on the eighth day
she was diagnosed an Artist,
and saw that it was good
and fierce and necessary,
and went forth creating
like a madwoman,
rattling gravity shackles
to the din of furor
and crumbling towers
within.
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Running with the Bullshit

hem drinking

Far end of the bar,
drinkers with writing problems–
It’s Hemingway’s fault.
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Faceblock

kerouac1
Jack Kerouac
scrolling his Facebook page–
detours on the road.
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Yellow Over Blue

Yellow and Blue Mark Rothko Print
Yellow is the saddest color, she said.
Some think it is blue, but it is not.
Blue is the common choice for the color of sad, the popular one, but yellow is much sadder than blue.
Yellow blinds you with hurt, a gentle deadly glare, almost musical, that gets in and behind your eyes;
it is the palsied hum in your head that never ever stops, a low insistent droning;
it is the slow death of bees, the shadows of their agony and grace;
the screams at the bottom of a childhood,
the hidden tonsils of a well, those too are yellow;
it is the season of suicidal leaves, consigning themselves to the cradle of Wind, which becomes their fated pallbearer.
Yellow infects the necessary dark; it is by far the saddest moon,
the softest of last kisses.

 

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David Lynch & Agnes Obel

Agnes-obel-SMALL
What qualifies as an artistic wet dream for me: David Lynch remixing Agnes Obel’s “Fuel to the Fire.” The tune is like mainlining dark chocolate with hints of winter and opium. Listen here.
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Tow

Nocturne_by_James_Abbott_McNeil,_1870-1877
Is grace
not near grief,
a mirror’s oblique run
of necessary doubles,
how we, with hearts in tow,
to drift and slow bleed,
ask of tides
a lone dock
among so much sea.
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