End of Days

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Ghost Story

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Titanic

A voyage into the time-haunted unknown, a love story casting two alone as wreckmates aboard a sinking ship in a salacious sea of bop consciousness.

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Lyric Alone

Mind over matter, and mind over matter dreaming, and this the lyrical alone, the magnificent hovel and shrine, what it means the lyrical alone sounding sublime, and solitude alone the shrine and hovel, o magnificent bastards of ghostlight, the tenderest sublime, from here I back-look deeper within, the middle dream side reel, to a past I’ve never really had, in a kind of movie passing I see myself, or what passes for my life floating to and fro in fragments.

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Melodrama

Let’s start with this photo, the comic melodrama in which you, perfectly staged, are wearing a blue pinafore dress, your dark hair gagged in pigtails, mouth heavily lipsticked, cheeks cherubically rouged, your eyes two burning ovals of abyss-pooling licorice, sweat in silvery beads rolling down your short skirted legs, collecting in the dimples of your knee-blades, your hands a pair of static birds tied down, mouth bound, and hovering above you the flashback villain of old, caped in a black shawl, top hat tilted considerably, an oil-slicked handlebar mustache, the villain greedily rubbing his sweat-greased palms together, his entire existence a rapacious glisten, and his primary ambition in life has been reduced to singular malice, to see you run over by the locomotive that will come thundering down the tracks any minute now, any minute … once this happens, he will, he believes, retire from the annals of villainy and adopt a well-respected position that ensconces him into the creased folds of society, society as he sees it, an origami lawn neatly ordered, and here comes the train now, you scream as loud as you can (yet your voice has bene rendered dead and screamless by the silent film predicament you find yourself in), and screamless you are run over by the train, THE END flashes in block letters on the back curtain of my closed eyes, my longing eyes, I wish I could mourn this death for a longer time, but this is only the first with many more to come.

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Cinema

If cinema is a tomb, then let us die watching. The angel over my shoulder is hunched, dark, morphing. None of us ever leave behind the dark of the theater. We are here, always. Sanctuary, haven, enclave, respite, sitting tight and homey with reels of flickering filmreel to keep us company, we remain here, happy slaves and obedient imps to the dance between light and shadow. We don’t care what films are pimped out to us. Every genre becomes our appetite. Cinemanesthasized. That is us, what we have become. A bewitching trance in which we fondle and romance our kept wrecks and deepest secret selves.

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Pandora

I won’t call this a book because no one reads books anymore, no one gives two shits and a dime about books. I’ll call this an exalted and long overdue mania, a catalytic inversion, a freebase purge. Whatever, whatever. Voyeurs now live and lurk elsewhere. So one such as myself is freed up to roam with my pants down, with hopes that lighting will come down hard and sizzle my crotch. Once every generation or so, a crotch is lightning-fried, cruci-fried, then duly forgotten. So be it. So be it has become my stopwatch and slapstick. I disavowed permanence a thousand years ago, and in the thousand years since it has been one long droning spell of bewitchment, rubbing two sticks together to teach a mirror the meaning of fire. So be it. After all, newly formed landscape and it accompanying ruins have become my pyramid and playground, lonely yes, but at least I can walk around with my pants down. This is not a book, not the beginning of something that hopes to one day grow up and become a book, books, all books died in a childbirth holocaust many moons ago, midwives fled the scene screaming for order, orders from the top never arrived, and books flopped and floated belly-up like swollen dead fish in a salty grave of a sea. It started with imbecilic stuttering, a chorus of apelike tremolos, which morphed into mirror-hawking parakeets, followed by lightless dead-eyed stares at navels, crotches, ankles … never eyes. Eyes stopped meeting eyes. Without eyes, the extinction of books was one of innumerable side effects. No longer seeing eye to eye, the lot became eyeless, and the eyeless had zero interest in reading books, and less than zero interest in writing them. So be it. My misguided intention is to invent a caravan of solitudes, a circus of nobodies, or degenerates of vagabondage, on and on, some invented group or another through which I can warm my loneliness by the proverbial fire. To think, that I once dreamed … to hell with that. You know what I found? A child’s broken heart, and therein its fields of dreaming, no, not a child’s broken heart, children’s broken hearts, a glaring multitude, leaks sapwater which is favored by trees. There is no purer liquid on earth than that which derives from children’s broken hearts, hence the strategically aimed slaughter and clustering sport of carnage. The barbarians have long since advanced beyond the gate. Your blood, and your children’s children’s blood, is on their hands. They move about freely, red-handed, a proud race of barn-burning rapists. I live here, waxing, waning, in my regal hovel, my christlike fallout, and and words keep wording, the idiotic bubbling up like furious snails, I place them where I can, I imagine the others I can’t see listening, someone must be listening, and caught in these wheels between here and not, now and when, I insist to no one listening that this is not a book, I say this again and again, etching my vigor in troubled air, again and again trusting that fool’s gold bears value of some sort, this can’t be a book because all that tripe and jazz ended long ago and can never begin again, never, ever, though maybe, perhaps, under certain unforeseen conditions … no, don’t start with all that nonsense again: leave Pandora to her ashes and anal weathering.

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Perfect Day

The weevils chewing through the walls and burrowing into the hollows. Rot sets in. Yet I wake up and the sun is a perfect circle, a ball of fire, a kissing fool’s star. I smile. To hell with the weevils. Let them weevil their way all the way down and through, allow them the happiness of their lark and sabotage, their downsizing of foundation. I will not lift a finger to stop the process of degeneration. After all, decay has its rightful place under the sun, just like everything else. I look out. the sun is a perfect circle, a perfect saw cutting skies into halves and quarters. Its carnage is celestial by nature. The light on the fence dances in pellets and digits, splashes and slash-marks. The sun stalks the world in fingers of light. Same as the weevils chew through the wood and walls without end. Soon a collapse is coming. The sun will make intrepid love to the ruins. The sun will go on enacting the role of orange-bellied Casanova. I will do my part and keep smiling, as is framed in a camera capturing my likeness for the annals of fading.

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Semen

Semen has flowed. The danger is past. This is an old proverb from a sunken country, one that no longer exists. This mother country with its many flaring mother tongues and tidals of flowing semen represents the Great Flood. Semen being the seed-carrier of disasters and renaissance, semen creating the dreamscape upon which the final arks float like popped corks on rolling froth and fizz. To scale it down to human-sized proportions (leaving behind biblical rhapsodizing): If you believe your genus flows into immaterial means, if you believe you are dream-wedded particles locked in a rockabilly dance and crane, if you believe … impossibility will appoint your hands countless tasks. The circus in your head is the circus in your head. It has nothing to do with semen. And everything. Semen has flowed. The circus has passed. Like that.

The bubbling fount in which we deeply yearn to drown is God-semen without fail. We wish to go on and on, bobbing, recuperating, engaged to God-semen. On and on and on, built to last. Like a Ford truck commercial. America being trapped in arrested adolescence, and its need to prove itself is inalienable and unresolvable, part of a growth process. Except, and here’s the kicker, if adolescence remains stillborn, prolonged puberty leaves the afflicted teen with a case of psychic gonorrhea, in a heightened state of distress, longing and murder-minded fantasies. American semen is clotted with red pep and soap bubbles. Its bravado being Mecha-Godzilla on steroids.

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