P.S.

With tenderest regards to everything,

to everything,

we are a hymnal species of kissing cousins,

from amoeba to Moses

to the stunning narwhal,

our sea tongues have touched upon

the lush symmetry and limitless vibrato

of a daringly molecular burlesque.

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Lucent

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Slippers

The world has become an enormous mouth.

Or a senile teenager fumbling with a fire sale chemistry set.

Silence, and solitude,

arouse their favored ebb

within the subtle gloam of twilight.

Twilight is a meek and intrepid lover,

an inscrutable pair of slippers

softening your steps as you cross

from one passage to the next, to the next,

where lost hours seed and seduce your invictus

into an exponentially stunning fade.

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Twilight

Twilight is seductively meek.

Every day, at day’s end,

it inherits the earth

through valentine quivers

and softcore volitions of symmetry—

the sky, at its supple mercy,

bruises so easily,

pale liminal purple

adoring the tenderest wounds

between lovers merging nightly.

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Citation

Tablatures of light

engraved in your palms

by eyeless angels

once upon a time

when yes was yes

and waves were forms

serve as source citation

while hosting vividly the fact

that your hands are the temples

which can be entered any time you’d like

no eye tests

or slow burn required.

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For Melody’s Sake

It is a call, a calling.

Lost voices committing mutiny

to service seasons unknown—

Strange wingless angels

of mercy and memory,

the blue ones,

sounding the call, a calling.

Melody hosts its own discipline,

and we, the fragile disciples of music

and night blooming,

engrave this on the settlements of our bones.

Our bones, our bones seized and trembling,

as if gospel raised from zombies

among the centuries of metaphors roundly sown.

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Analog

Light.

Like ten thousand fingers

scaling the arpeggios

of lives minted and scattered—

the autobiography of days

demanding their own masks—

and we, the weepless ones,

dry and several worlds removed,

drown in the riptides

of bass and metaphor

within the deserts

of our own distance.

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Days of Mourning

She wasn’t sure how she had become days of mourning.

It began with a pall, a thick viscous scrim

that changed what she saw, sawed herself into

halves and quarters and post-dissection she noticed

days had turned into weeks into months into years

into moths (what was this closet? where had she gone?)

and altogether a knotted bundle

that could not be spent, or misspent,

there was no economy to the quivering mass

of darkening days past, days she had become.

Knowing that escape was both impossible and inevitable,

she returned to the staggered fiction

of nights with no memory,

nights in which days of mourning

factored in little to none

to all.

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Changing Room

Advertisements for astronauts

in fish-net stockings,

and you, tobacco-stained fingertips,

a scholar of whistling,

salacious in the way

you used to spit brown juice

into the wind, expecting to not get hit—

those were the days,

I sighed to my red suitcase

with the stubborn zipper,

as I packed away my bones

and thought about which cinema,

in which universe,

I should go and visit

before the postcard in my pocket

dried gravely at the edges

and lost all sense of meaning.

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Altar Piece

We are the stunning brides of tomorrow,

dressing up for ritual matrimony

in an airless church

where children laugh

and hurl gulls of rice,

and the candles, matching light to symmetry,

never go out.

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