Tenor

The difference between

I am here

and

I was here

is delicately slight,

and not really a matter of tense

but rather one of plaited tenor

and climate,

in which degrees,

separating our ghost from our dreams,

keeps us shivering warmly

between rippling sheets

of ephemera,

and the audacious

memory of longing.

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Darkroom

In the darkroom

of your own solitude

the slowly developing

photographs

of your life

can be recollected

forwards,

as if chronology

were a fugue,

and you

its vigilant timekeeper,

twice removed.

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Signed, Sealed, Delivered

You can,

if you wish,

file a million and one

embittered complaints

to the Universe,

but none will bring

the strange and mysterious

results that a single shred

of glimmering gratitude can,

its kiss the tenderest seal

upon symmetry’s origins.

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Love Is

I miss you already,

the sun-kissed daisy

whispered to the migrant

flake of snow,

which clung

like a hopeful bead

to the daisy’s

delicate petal

before dying a lover’s death

and melting.

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Red Balloon

A red balloon

says so much about the sky,

and the weightless wonder of children,

when desire, bated aloft by the sun,

gives free-spirited chase

to the play of light

on basking reams

of nimbus and lore.

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Song of Hope

They kill poets
in these parts
don’t they?
When I got here
I saw Walt Whitman’s
wizened head out back
impaled on a stake
flies buzzing round its
concomitant rot and stench
I heard one of the locals say
it was the worst kind of tourist trap
this voodoo orb
functioning like a magnet
drawing a swarm of zombies to brains
or moths to flames
take your pick
after all it’s America
And then I heard about the man
who wasn’t satisfied with Anne Sexton’s suicide
no he was still on her
constantly telling her ghost
to go to hell
and to consecrate his venom
he’d collect and burn all her poems
never realizing that Fahrenheit 451
was a myth
imagine trying to burn
pieces of the sun
with mortally wrung flames
I know they kill
poets in these parts
because the dismembered
remains of Allen Ginsberg
the man that Norman Mailer
once called the bravest four eyed kike
in the whole land
yes that man
scattered all over
screaming psych wards
and fallacious newprint
meant to stir the cauldron
of bloody bathwater
babies
and wives
and flybynight junkies
that went under
and never came back up
the final glubs
and so much more
resounding in the bardic echo
of Ginsberg’s howl
you know
that unkillable sound
with no fixed location
that lighted locust
of a drone
that you keep hearing
and hearing
beyond the wax
America are you listening?
I know for a fact
that they kill poets
in these parts
because that girl
who lived down the block from me
that girl who fashioned her silence
and trauma into a two-ton goddess
of love and redemption
yea her
you know the one I’m talking about
the nameless parishioner
of heart
who lives
and dwells
and breeds
and dreams
where words are funneled
through the eye of a storm
now do you remember
that’s the girl
the one you tried to kill
shame desecrate decimate
the list of offenses
goes on and on
and we regret to inform you
that your assasination attempts
will continue to meet failure
because you see
poets
in those most vital parts
from which songs of fury
innocence and hope arise
cannot be killed off
so you misewell
lay down your arms
and find out what Beauty
immortal to the touch
might be offering in exchange
for love
and praise.

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Transcience

Where were you last night,

my dreams asked of my silence—

Between worlds, I longed.

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Nowhere is Now Here

“Voyages are accomplished inwardly”–Henry Miller

This dreamer’s life,

sentenced to passive worth

and fired stillness.

Cross my heart

and hope to die,

there is, I promise,

nothing whatsoever

to prove

or assert

or confirm,

no doors to walk through

(you are the metaphor you are seeking),

no need to justify

or validate your claim

for existing,

for taking up space,

here, now.

Pause,

and marvel at the phenomena

of being at home, within,

while traveling great imaginary distances

to give worlds their ephemeral due.

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Inspiration’s Track

Inspiration

is not a matter of chance,

or waiting, or a magic spell

that demands bated breath and fretted suspension—

it is the fact that you pick up a pen,

your fingers growing warm and intimate with its weight and feel,

the slow almost dumb beautiful realization that you,

or someone like you is holding a pen, an instrument aloft

and hovering above a blank page, and some kind of strange ceremony,

half-marriage, half-divorce, is about to take place,

in which you, or someone like you, as a form of expression,

is both the effect and the cause.

The pen, through good times and hard,

accounts for dreaming,

and inspiration runs through your fingers

like an unschooled course on being.

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Icy Hot

Between worlds,

vying for merger,

the reigning glacial celibacy

of stars,

and the marvelous frisson

of pure mortal throb—

Where you are not,

find your ghost’s

bluest breath of want

upon a mirrored caste

of longing.

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