To venerate,
the privilege of air
inside the ceremony of lungs
and chance, where you,
as an honored guest,
get to ripen and breathe
the adventure of your name
into a free-range universe.
To venerate,
the privilege of air
inside the ceremony of lungs
and chance, where you,
as an honored guest,
get to ripen and breathe
the adventure of your name
into a free-range universe.
To marvel dumbly,
and trespass,
with a sense of the infinite
backlighting a wink–
this, the way of the Fool,
or sacred is as sacred does,
when trusting the air
in its holy relationship to plunge.
Silence, within
a dark empty theater, starring
you on a blank screen.
Beyond the slimmest margins,
a paling, a cooling,
where you can assume
the role of engaged witness
and translate intimacy
into a remembered calling, a friend
without want or ceiling.
Sometimes,
you’ve got to stand at the liminal edge,
equal parts trespass and yield,
your entire life a fragile ceremony
of plunge and arc,
respiring within spells of wonder.
From the absolute hovel
of unlettered ruins,
a crabby shard,
reflecting a tasseled badge of moonlight—
this, the modest origins
to ceremony and marvel,
as she built an outlaw cathedral
of self,
in which she dwelled and worshipped,
vagrantly hospitable
to the glittering harem of angels
who, nightly,
swooped down
to carve sacral
texts of light
upon her rumored longing
to grow sheer,
and host holy fire.

Collection of plays forthcoming from CSF Publishing.
Arson & Grace
Think of this collection as a black-market passport to a realm of lucid dreams and savage jest. Or as the splintered signpost to a crossroads where pop culture, mythology and surrealism intersect. Spanning a thirteen-year-period (2003-2016), Arson & Grace comprises eight plays written by John Biscello. In a world, which is warped sibling to ours, and reflected back to us through funhouse mirrors, you will find love, death, madness and family dysfunction given fresh theatrical makeovers, while meeting a motley assortment of characters straddling the blurred lines between reality and illusion. From penile-enlarged patriarchy to airports where babies are confiscated to werewolves who don’t waltz, the spirit of commedia dell’arte and “zanni,” is alive and well in the Wonderland playscapes of Biscello. Abandon reason all ye who enter here—and trespass lightly.