Mount

To sire
a riptide,
the roseblood moon,
fully engorged,
sank lower
and lower,
its binding navel
grazing the lattice mouth
and lacy tease
of a sea
forever beckoning
softly creased light
to charge
and mount.

 

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Dante’s Fire Drill

Forget about it
I said
it’s fire under the bridge
and watched
from a distance
as the flames
and smoke
rose over the sea
as if Dante’s
infernal take
on the Birth of Venus.
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Trail

My stubborn
when growing sawteeth
fierce as fuck
rails against
the moon
and sun
and sea
and me
bracing that
double-edged notion
to have
to hold
in trying
to shape the music
of air
into something
that leaves behind
a forget-me-not trail
of scent
and crushing warmth.

 

 

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Swallow

Today
the glass is half empty
full of singing void
and fire
me
cutting my teeth on the rim
tonguing rapaciously
at spiked air
clenching at the impossible slake
if only I could swallow
smooth as grace
this bitter seethe
if only the cup were real
and I
at bottom
measureless
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Live from Eden

Her talk of bruised skin, and how
it caught fire on the far side of trespass,
fascinated me to no end.
She wanted to burn clean through,
didn’t want to hear any more talk
about cooler heads prevailing,
or stubborn poppies
doped on opiates
bending to catch rain,
she wanted the holy fire,
the full-on plunge and rend,
same as Teresa
when she was harpooned
by God’s love
through that angel’s lighted lance
piercing clean through her heart’s
deepest desire,
she wanted
to be Teresa on high,
disrobing her skin
in a glorious siege
and char,
she said and I quote,
I don’t want the far side of trespass
any more
don’t want to find myself whored
through a series of disillusionments,
I want the garden,
to reclaim my soft seat
in the grass
as the queen of the moon
and stars,
I want to invent love
from the ground up,
and get it right
this time.
How, I said.
There,
no more words,
 just burning silence,
followed by
the furious planting
of a first kiss.
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The Lion, The Mouse, and Me

There is this
small piece of glass
an unstable irritant
at the back of my heart
way way back
a shard
that got lodged there
god knows when
and lately
in considering and
reflecting upon this bit
of glass and the impact
it has had
on my heart in general
I’ve thought about the mouse
who helped the lion
by removing a thorn
from the lion’s paw
an act of kindness
perpetrated by the mighty meek
and though I’m not exactly sure
where the mouse fits in
if at all
in relation to the shard-burn
at the back of my heart
I do have this feeling
that for years and years
I have been trying
to tweeze a pinch of glass
using lion’s claws
tearing and shredding
and doing more harm than good
when really what I need is
a mouse
with right-sized teeth
and a love
of unfinished fables
with no easy morals.

 

 

 

 

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Fly Now, Pray Later

For a subliminal time only
it’s here
Neverland’s
lucid New Romanticism
replete with pricks, needles and pines
bespeaking Pagan Renaissance Nouveau
a movement that will start in your vowels
and end in your Oh’s
especially suggested
for those soft in the center
childlike hearts
who idle away precious hours
forget-me-notting the moon as their
true blue valentine
or scissoring bits and pieces
of the sun to include in their sacred text
those who
in their manic glee
and state of psychic undress
frighten the hell out of the armorly clothed
status quo
that’s right
for a liminal time only
the bated fall
and leavened rise
of a soulfired calling
can be yours
because
as a goldenbrowed gent
of rosicrucian disposition
once said
Unless you are transformed
and become as little children
you shall not enter the kingdom
of heaven.
Hurry now, act fast!

 

 

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Paris

paris

I have never been to Paris,
and so I must write about
my time there, how Hemingway
threw the gauntlet at my feet
and challenged me to an armwrestling
match three times, beating me each
and every time, and Hemingway
that bastard, sure he could write,
but he was a poor winner,
gloating and bragging
to everyone at the table
that he had bested me,
and after I was thoroughly emasculated,
out came the olive branch, his offer
to buy me a drink, which I graciously accepted
and then proceeded to throw in his face
(it seemed like the right thing to do).
Ah, Paris, in the spring, the Seine flowing like
a sun-ribbed artery, its banks pulsing with activity,
and my morning pitstops for a croissant and café au lait
at that bakery whose name I can’t remember
but whose smells
held a forever place in the stomach of my memories,
those nights spent dreaming among the mothballs
and gauzy webs in Balzac’s dusty garret,
or dwelling tenderly on the illusory prospects
of teatime with Proust,
and how maybe just maybe I’d challenge
that French dandy to an armwrestling match
which I was sure I would win and therefore
restore the dignity I had lost to that hairy brute
Hemingway, then fretting—but what if I lost?—
then eschewing altogether the masculine idiocy
of armwrestling bouts, and choosing to focus
on the lighted spools and florid ribbons
of text
that Proust, from his cork-lined room
doubling as tomb tripling as womb,
gave to the world at large.
Ah, Paris, you lovely hungry bitch
with claws
you’ve got me by the balls again
why didn’t I visit you sooner?
(or, in Reality’s case, at all)
one day, in the near future,
I will be invited to read
at that well-worn church
of a bookstore
Shakespeare & Co,
the gig procured by the ghost
of Sylvia Beach
godbless her soul
still pulling strings for writers
in the afterlife,
it will be a dream come true
so I will have to remember to stop
and announce to the audience
that I am in the middle of a dream
lucidly beamed into the warm cradle
of its center
and one salty French lady
with high excellent cheekbones
and a yellow silk scarf
bunched globular round her throat
will lightly dismiss—Ah, crazy American,
he makes no sense, no sense at all,
and everyone will laugh
including me
and then the dream will continue
already in progress.
Paris,
I knew you way back when,
same as
not at all,
life
as myth
and dream-lore
is a funny business that way.
My soul
you see
flew into
the window
of that clean, well-lighted café
that you left open
I think the year was 1923
and my soul
rested there
among a couple of insomniacs
one sad old man
a whiskered wino
and a young thin barista
with a bad attitude.
It was nothing short of heaven
as a happy haunt.
So, in closing,
all I can say is this—
Paris, you well-heeled mistress
with the bright rouge wig
and eternally puckered lips,
send for me
and my soul
again
when the time is right.
I’ll be waiting,
heart in mouth,
pen in hand.
With love and bask,
your pal and valentine,
J.B.
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Firestarter

st. catherine
There is nothing quite like
making briny love
to holy fire
and falling
deeply into one’s own
molten core
screaming yes
yes
the plunge
and firewalk
of your starring parts
melting in ecstasy
raw to the touch
and numinous tongues
of angels
who sing
heated hymns
and
classic torch songs
on your behalf
to bring you wholly
to life
as you truly are
a soul dancing
an arsonist jig
among so much
tinder
and ash.
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Song of Hope

They kill poets
in these parts
don’t they?
When I got here
I saw Walt Whitman’s
wizened head out back
impaled on a stake
flies buzzing round its
concomitant rot and stench
I heard one of the locals say
it was the worst kind of tourist trap
this voodoo orb
functioning like a magnet
drawing a swarm of zombies to brains
or moths to flames
take your pick
after all it’s America
And then I heard about the man
who wasn’t satisfied with Anne Sexton’s suicide
no he was still on her
constantly telling her ghost
to go to hell
and to consecrate his venom
he’d collect and burn all her poems
never realizing that Fahrenheit 451
was a myth
imagine trying to burn
pieces of the sun
with mortally wrung flames
I know they kill
poets in these parts
because the dismembered
remains of Allen Ginsberg
the man that Norman Mailer
once called the bravest four eyed kike
in the whole land
yes that man
scattered all over
screaming psych wards
and fallacious newprint
meant to stir the cauldron
of bloody bathwater
babies
and wives
and flybynight junkies
that went under
and never came back up
the final glubs
and so much more
resounding in the bardic echo
of Ginsberg’s howl
you know
that unkillable sound
with no fixed location
that lighted locust
of a drone
that you keep hearing
and hearing
beyond the wax
America are you listening?
I know for a fact
that they kill poets
in these parts
because that girl
who lived down the block from me
that girl who fashioned her silence
and trauma into a two-ton goddess
of love and redemption
yea her
you know the one I’m talking about
the nameless parishioner
of heart
who lives
and dwells
and breeds
and dreams
where words are funneled
through the eye of a storm
now do you remember
that’s the girl
the one you tried to kill
shame desecrate decimate
the list of offenses
goes on and on
and we regret to inform you
that your assasination attempts
will continue to meet failure
because you see
poets
in those most vital parts
from which songs of fury
innocence and hope arise
cannot be killed off
so you misewell
lay down your arms
and find out what Beauty
immortal to the touch
might be offering in exchange
for love
and praise.
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