Worlds Last Imagined

New novel completed. Grateful for my Abiquiu retreat, where I got to balance work process, nourishing solitude and exploration of this area’s breathtaking beauty.



WORLDS LAST IMAGINED
In these time-bending, multiform chronicles,
A) A pair of “tweeners,” the names given to metamorphic vagabonds who move between worlds with improvisational fluidity, are undertaking the ultimate road trip, while
B) a reluctant tracker, who’d much rather remain in his motel room bingeing on reruns is called upon to find the tweeners … meanwhile,
C) an empty boat washes up on the shore of a coastal Japanese city, revolving around a love story and
D) the approximately infinite potentialities of what it means to be Yoko Ono—
a name, a semblance, a pair of scissors, a tape recorder on a snowy night, pieces of sky.
As a mythopoetic composite, where apocalyptic bop meets speculative noir, Worlds Last Imagined offers a visionary romp through identity, ephemera, and stories without end.

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The Bride and Berlin

While The Bride did not win in its category (Best Actress in a Short Film), we did gain our first laurel as the cinematic journey of the Bride continues on the film festival circuit, far and wide.

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Titanic

If there were two, then let us say there were two. The two danced on the time-haunted deck of the Titanic, they called it the Titanic because they understood the floor beneath their feet was not to be trusted, nor the worldscape, which was always at the mercy of shifting tectonic plates. Here today, gone tomorrow. Gone tomorrow, here today.

She, one of the two, lowered herself upon the creak-wooden floor and blew him. She rose up, musky penile skinflakes clinging to her lips, and he, the other of the two, lowered down and blew her. They swapped out organs liberally, as they saw fit, they were measurably reciprocal in their take and give.

They blew each other back and forth seesaw-style because they loved each other, because wind was their mentor and silence their grace, because they desired to become immaculately vulgar, they blew each other because the fate of every Titanic was inescapable, they blew each other because they were two.

There might have been others. They didn’t see them. She said she was a mother once, possibly twice. He said he played a child at least a thousand times. Every generation slips a knot. The blue want of the world was hunger impossible, or desperate flights from hunger impossible.

He wet the tip of his finger and plugged it inside his ear, conceiving of ear as he did this, imagining it a bright clay appendage, a tender mollusk. She removed her ear and replaced it with wax candy lips, a Cubist invention of her own volition. They, the two, devoured each other historically, simultaneously.

The world had gone and stayed unimaginably gone. They were two, and they were. It was enough. The most concise and satisfying math equation ever. To be there and to be gone. To be simultaneous and to absent. They found all this out by dreaming through and through. I mean dreaming that went all the way through, no turning back.

Imagine, if you will, two tiny O-shaped mouths like goldfish puckers, suckers for absorption, and therein lies the gremlins, mysteries and vast greening ponderances of life.

Once upon a time…

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Andrea Doria

Itchy navels, persecutions, manias, projections, snot-rimmed abysses, it’s been a mixed bag of plenty and none, and here I sit with the day’s teeth growing long and chopping down with razor-edged intensity … the stringent air of day after days passing … I, like the others, unspecified yet very much there, so it’s fair to say that we, we are passengers on this creaking wooden behemoth of a ship (some have called us the Ship of Fools, some have called the ship by different names—Titanic, Lusitania, Andrea Doria), I pass the days talking to myself while imagining the others listening, the process is vintage and varied, sometimes I diddle myself, sometimes I crib footnotes from old texts, and there’s always the fondling, fondling being one of the choicest diversions on this voyage, where I am going, where we are going, the ship of fools, the Titanic, the Lusitania, the Andrea Doria, I gulp depleted air from ingoing sky without ever looking up.

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Cinema, the Sequel

In the cinema, hypnotized, I died a drugged and stupefied death, again and again, crucified by the diminished returns of flickering images. I die, tranquilized, a sweetly solemn refugee from reality. This is the escapist way, its creed. Why pretend otherwise? Why justify? It has always been about escape. Escape from long withheld screams inflating black balloons in one’s stomach, escape from silence and jargon that says nothing and says it loudly and does nothing relentlessly, escape from so-called advances and progressions, escape from stories and shows that never quit. Reruns are all there is. If you see yourself playing yourself again and again and again, it is because you are the prey and primary chess-piece of syndication.

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Cinema

If cinema is a tomb, then let us die watching. The angel over my shoulder is hunched, opaque, morphing.

None of us ever leave behind the darkened theater. We are here, always. Sanctuary, haven, enclave, respite, sitting tight and homey with reels of flickering filmstrips to keep us warm hazy company. We remain here, happy slaves and obedient imps to the dance between light and shadow. We don’t care what films are pimped out to us. Every genre becomes our appetite.

Cinemanesthasized. That is us, what we have become. A bewitching trance in which we fondle and romance our tethered wrecks and deepest secret selves.

Note: It is no coincidence that tomb and womb are so close to one another, phonetic cousins kissing in the dark.  

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How Tomorrow Moves

Or, Brooklyn Boys Shit-Talkin on Street-Corners Back in the Day.

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Monkeys and Barrels

Kinked reflections on the writing life, New York states of mind, Babe Ruth’s prodigious appetite, Einsteinian time-blips, desert blues, and the Aqua Net generation.

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Debut Screening

Some snaps from the world premiere screening of our short film The Bride.

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Beyond the Veil

From isolated fragments to alchemizing makeover, see THE BRIDE’S metamorphic journey on the big screen at the TCA: one night only, Thursday, May 30th @ 6pm.

Film screening will be preceded by a live musical performance by singer and multi-instrumentalist, Diatom Deli.

Advance tix can be ordered at tcataos.org

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